The Confusion

The Confusion by Neal Stephenson

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Authors: Neal Stephenson
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Brigitte—she is the big Dutch woman—to show you to the Library,” Eliza said. “I will keep an eye on the harbor. I believe that the longboat over yonder, just rounding the end of that pier, might be carrying d’Avaux.”
    “Carrying him hither?” Rossignol asked sharply.
    “No, to the flagship of Lieutenant Bart.”
    “Good. I need at least a little bit of time.”
     
    E LIZA REPAIRED TO AN UPPER storey of the house, where a prospective-glass was mounted on a tripod before a window, and watched Lieutenant Bart receive d’Avaux in the cabin of his flagship. This cabin extended across the full width of the ship’s sterncastle, and was illuminated by a row of windows looking abaft; at either end these curled around like a great golden scroll wrapped around the transom of the ship, creating small turrets from which Jean Bartmight gaze forward to port or starboard. The sky was clear, and the afternoon sun was shining in through these windows.
    The interview proceeded as follows: first, courteous greetings and chit-chat. Second, a momentary pause and adjustment of postures (because of a recent exploit, Jean Bart still could not sit down without suffering the torments of the damned, and d’Avaux, ever the gentleman, spurned all offers of chairs). Third, a long and, Eliza did not doubt, most entertaining Narration from Lieutenant Bart, enlivened by diverse zooming and veering movements of his hands. Slowly mounting impatience shown in d’Avaux’s posture. Fourth, interrogation of Bart by d’Avaux, during which Bart held up a ledger and ticked off several items (presumably rendering an accompt of all the jewels, purses, etc., that had been taken from Eliza). Fifth, d’Avaux jumped to his feet, face red, and worked his jaw violently for some minutes; Bart was startled at first, and went a bit slack, but gradually stiffened into a dignified and aggrieved posture. Sixth, both men came over to the window and looked at Eliza (or so it seemed through her spyglass; they could not see her, of course). Seventh, aides were summoned and coats and hats were donned. Which was Eliza’s cue to summon Brigitte and Nicole and the other female servants of her little household, and to begin putting on clothes. She borrowed a dress from the closet of Madame la marquise d’Ozoir. It was from last year; but d’Avaux had been in Dublin since then, and so to him it would look fashionable. And it was too big for Eliza, but with some artful pinning and basting in the back, it would serve, as long as she did not stand up. And she had no intention of standing up for d’Avaux. She arranged herself, a bit stiffly, in an armchair in the Grand Salon, and discoursed sotto voce with Bonaventure Rossignol. For Bart and d’Avaux had only required a few minutes of time to reach this house from Bart’s flagship, and were being made to wait in another room, so nearby that Bart’s pacing boots and d’Avaux’s sniffling nose (he had caught a catarrh en route) were clearly audible.
    Rossignol had had time by now to sort through the stolen letters. Certain of these he gave into Eliza’s hands, and she arranged them on her lap, as if she had been reading them. The rest he took away, at least for the time being. He withdrew into another part of the house, not wishing to be seen by d’Avaux. A few minutes later Eliza sent word that the caller was to be admitted. The furniture had been arranged so that the sun was shining hard into the side of d’Avaux’s face. Eliza sat with her back to a window.
    “His majesty has summoned me to his château at Versailles, so that I may report on the progress of the campaign that his majestythe King of England wages to wrest that island from the grip of the Usurper,” d’Avaux began, once they had got the opening formalities out of the way. “The Prince of Orange has sent out a Marshal Schomberg to campaign against us near Belfast, but he is timid or lethargic or both and it appears he’ll do nothing this

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