ought to serve beer at your place.â
âItâs a bakery, Ash.â
âWhatâs your point?â
With a laugh, Luke sampled his own beerâsomething called Hops On Down. âI could rename it Brioche and Brew.â
âNever an empty table. I appreciate today, Luke. I know youâre busy frosting those cupcakes.â
âNeed a day away from the ovens now and again. Iâm thinking about opening a second place.â
âGlutton for punishment.â
âMaybe, but weâve been kicking ass the last eighteen months, solid, so Iâm looking around some, mostly in SoHo.â
âIf you need any backingââ
âNot this time. And I couldnât say that, or think about expanding, if you hadnât backed me the first time. So if I start up a second place and work myself to an early grave, itâs on you.â
âWeâll serve your cherry pie at your funeral.â Because that made him think of Oliver, he drank more beer. âHis mom wants bagpipes.â
âOh, man.â
âI donât know where she gets that, but she wants them. Iâm setting it up because I figure if she gets them she wonât think about a twenty-one gun salute or a funeral pyre. And she could, because sheâs all over the map.â
âYouâll make it work.â
And that was practically the family motto, Ash thought. Ash will make it work.
âEverythingâs in limbo until they release the body. Even then, even when the funeralâs done and over, itâs not over. Not until we find out who killed him, and why.â
âThe cops might have a good line on that. They wouldnât tell you if they did.â
âI donât think so. Waterstoneâs wondering, at least in some little corner, if I did it. He doesnât like the serendipity of me and Lila connecting.â
âOnly because he doesnât know you well enough to understand you need the answersâbecause everyone else asks you the questions. Iâve got one. Whatâs she like, the Peeping Tammy?â
âShe doesnât think about it that way, and you get it when she talks. She likes people.â
âImagine that.â
âIt takes all kinds. She likes watching them and talking to themand being with them, which is odd because sheâs a writer and that has to mean a lot of solo hours. But it goes with the house-sitting thing. Spending her time being in someone elseâs space, taking care of that space. Sheâs a tender.â
âA tender what?â
âNo, she tends. Tends to peopleâs things, their place, their pets. Hell, she tended to me and she doesnât even know me. Sheâs . . . open. Anyone that open has to have gotten screwed over a few times.â
âYouâve got a little thing,â Luke observed, circling a finger in the air. âShe must be a looker.â
âI donât have a thing. Sheâs interesting, and sheâs been more than decent. I want to paint her.â
âUh-huh. A thing.â
âI donât have a thing for every woman I paint. Iâd never be without a thing.â
âYou have to have some thing for every woman you paint or you wouldnât paint them. And like I said, she must be a looker.â
âNot especially. Sheâs got a good face, sexy mouth, about a mile of hair the color of the dark chocolate mochas you serve in the bakery. But . . . itâs her eyes. Sheâs got gypsy eyes, and they pull you in, they contrast with this fresh, open sense.â
âHow do you see her?â Luke asked, knowing just how Ash worked.
âRed dress, full skirt, mid-spin, gypsy camp, with moonlight coming through a thick green forest.â
Idly Ash took the stub of a pencil he always carried out of his pocket, did a quick sketch of her face on a cocktail napkin.
âRough, but close.â
âAnd sheâs a
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