The Broken God
Old Father was sitting on a Fravashi carpet at the room's exact midpoint, but Danlo didn't notice him at first because he was too busy gawking at all the extraordinary things. He had never imagined seeing so many things in one place: against the circular wall were wooden chests, gosharps, ancient books, heaumes of various computers, sulki grids, and cabinets displaying the sculpted art of fifty different races; a hundred and six different musical instruments, most of them alien, were set out on shelves. No spot of the floor was uncovered; carpets lined the room, in many places overlapping, one intricately woven pattern clashing against another. Everywhere, in huge clay pots, grew plants from other worlds. Danlo stared at this profusion of things so at odds with the rest of the house. (Or the little he had seen of it.) Many believe the Fravashi should live in the same austerity they demand of their students, but in fact, they do not. They are thingists of the most peculiar sort: they collect things not for status or out of compulsion, but rather to stimulate their thinking.
    'Danlo,' came a melodious voice from the room's depths, 'Ni luria la, ni luria manse vi Alaloi, Danlo the Wild, son of Haidar.'
    Danlo's head jerked and he looked at Old Father in surprise. Old Father didn't seem surprised to see him. And even if he had been surprised, the Fravashi strive at all times to maintain an attitude of zanshin, a state of relaxed mental alertness in the face of danger or surprise.
    'Shantih,' Danlo said, automatically replying to the traditional greeting of his people. He shook his head, wondering how the man-animal had learned this greeting. 'Shantih, sir. Peace beyond peace. But I thought you did not know the words of human language.'
    Old Father motioned for Danlo to sit across from him on the carpet. Danlo sat cross-legged and ran his fingers across the carpet's thick pile; the tessellation of white and black birds – or animals that looked like birds – fascinated him.
    'Ah ho, while you were healing these last ten days, I learned your language.'
    Danlo himself hadn't been able to learn much of the language of the civilized people; he couldn't understand how anyone could comprehend all the strange words of another and put them together properly. 'Is that possible?' he asked.
    'It's not possible for a human being, at least not without an imprinting. But the Fathers of the Fravashi are very good at learning languages and manipulating sounds, ah ha? At the Academy, in the linguists' archives, there are records of many archaic and lost languages.'
    Danlo rubbed his stomach and blinked. Even though Old Father was speaking the human language, the only language that could aspire to true humanity in its expression of the Song of Life, he was using the words in strange, hard to understand ways. He suddenly felt nauseous, as if nothing in the world would ever make sense again. 'What do you mean by an "imprinting"? What is this Academy? And where are the others, the black man who held me on the beach? The woman with the golden hair? Where are my clothes? My spear? Does every hut in the Unreal City possess a bathing room? How is it that hot water can run through a tube and spill out into a bowl? Where does it come from? How is it heated? And what is a Fravashi? Are you a man or an animal? And where– '
    Old Father whistled softly to interrupt him. The Fravashi are the most patient of creatures, but they like to conduct conversation in an orderly manner.
    'Ahhh, you will have many questions,' he said. 'As I have also. Let us take the most important questions one at a time and not diverge too far with the lesser questions that will arise. Human beings, diverging modes of thought – oh no, it's not their strength. Now, to begin, I am a Fravashi of the Faithful Thoughtplayer Clan, off the world of Fravashing, as human beings call it. I am, in fact, an animal, as you are. Of course, it's almost universal for human languages to separate man

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