âOne of my many talents.â
âI can hardly wait to discover more. Youâd come in really handy in Manhattan.â He ran a hand down her arm.
Just then, Glory turned toward them, switching off the welding gun and setting it aside. In a practiced move, she pulled off her helmet, then removed the earbuds from her music player. âWow, is it one-thirty already?â
âCloser to two,â Max told her.
Glory shoved her thick gloves in the pocket of her welding apron. âNo wonder Iâm hungry. Iâve been out here since about ten. I was supposed to getfinished and cleaned up before you got here, butâ¦â She wiped her hands on her jeans and stuck one out toward Dylan. âGlory Bishop.â
âDylan Reynolds,â he said, shaking it.
Glory studied him a moment, flicking a glance at Max. âSo,â she asked Dylan, âyouâre running the show?â
âIn a way.â He turned toward the water trough. âAre you attaching anything or just cutting away metal?â
âCutting. It looks like hell now but itâll be gorgeous when itâs done. Although it wonât do a damned thing to hold water, will it?â She grinned. âOh well, you know what they say about eggs and omelettes.â
Dylan looked up from the water trough. âI like the pieces in the field. The white ones, especially, make quite an impression. Theyâre like a celebration.â
âAh, the dancers,â Glory said. âThatâs because I started making them on the first really warm day we had after a nasty winter.â
âIf you can make inanimate materials show joy, what about hope or strength?â he asked. âDo you have ideas about how to do that?â
âYou mean for the hospital? Itâll depend on what I come away with after I visit the place and talk to the people. I donât like to get too far ahead of myself. I have been thinking about it, though. Iâve made some sketches.â Glory swiped her forehead with her arm. âHey, guys, Iâm dying in all this gear. Is it all right if I run in and change really quick? Iâll get the sketchesand bring us something cool to drink while Iâm at it. No, stay out here in the shade,â she advised, as they moved to walk in with her. âThereâs no AC inside. At least out here, youâve got a breeze. Look at the sculptures, if you want. They beat the hell out of portfolio photographs. A couple of pieces down here are portraits,â she added as she darted up the front steps to the house. âSee if you can figure out which one is Max.â
Dylan watched the houseâs front door slam and turned toward the gate to the field.
âYou arenât really going to go out there, are you?â Max asked.
âWith a challenge like that, how can I not?â
The grass in the pasture was calf high, dotted with tiny pale yellow and lavender wildflowers. A fat bumblebee buzzed on a zigzag path as though drunk with the heat. Nearby, one of Gloryâs mobiles sat high above them on a metal post. Only one of its vanes moved in the quiet air, shifting lazily an inch or two to the side. Farther on, red metal cubes the size of milk crates were piled into an irregular stack like the building blocks of some careless child.
Dylan turned to glance at Max. âI assume this isnât you, right?â
When she just stuck out her tongue at him, he grinned and kept going.
Ahead of them, a piece of rough carved granite rose up and curved slightly into a crude point. The edges of a series of blue glass discs projected out of it,each a few inches below the next. With the overhead sun, the discs cast blue shadows over the rock, making it look like streaming water, as though it were the front of a wave.
âNot you, either, but nice,â Dylan said, turning to her.
Max slanted a look at him. âHow do you know any of them are me? She couldâve just been
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