The Blackhouse
expected to see himself and Artair coming around the bend in the road at the church, heading on their bikes for the store at the foot of the hill to spend their Saturday pennies. The cry of a child made him turn his head, and he saw two small boys playing on a makeshift swing next to a house on the rise above him. Clothes flapped on a drying line and, as he watched, a young woman came hurrying out of the house to gather them in before the rain came.
    The church sat proud on the bend, looking out over the village below, and the land that fell away to the sea. The large metalled car park was new since Fin had last been here. In and Out gates were protected from sheep and their shit by cattle grids, and the tarmac was marked out with freshly painted white lines, worshippers guided to park their cars in orderly Christian rows. In Fin’s day, people had walked to church. Some of them from miles around, black coats blowing about their legs, free hands holding on to hats, the others clutching bibles.
    Steps led up from the car park to the manse, a large two-storey house built in the days when the Church had expected its ministers to require three public rooms and five bedrooms, three for family, one for any visiting minister and one for use as a study. The manse had stunning views over the north end of the island, all the way across to the distant skyward-pointing finger of the lighthouse. It was also exposed to the wrath of God in the form of whatever weather might descend on it from the Heavens. Even the minister was not spared the Lewis weather.
    Beyond the curve of the hill, the road rose higher again with the land, along the clifftops, and the rest of Crobost was strung out along it for nearly half a mile. Although he couldn’t see them from here, Fin knew that the bungalow where Artair used to live, and his parents’ croft, were only a few hundred yards away. But he was not sure that he was ready yet for that. He pushed open the gate beside the cattle grid and crossed the car park to the steps leading to the manse.
    He knocked on the door several times and rang the bell, but there was no reply. He tried the door and it opened into a gloomy hallway. ‘Hello! Anyone home?’ He was greeted by silence. He closed the door again and looked across towards the church. It was still massively impressive, built of great blocks of stone hewn out of local rock. Flanked by two small turrets, a bell tower rose high above the arched doorway. There was no bell in it. Fin had never known there to be. Bells were frivolous. Perhaps they smacked of Catholicism. All the windows were arched, two above the main door, one on either side of it, and four down each of the flanks. Tall, plain windows. No colourful stained glass in this austere Calvinistic culture. No imagery. No crosses. No joy.
    One half of the double doors was lying open and Fin walked into the hallway where the minister would greet the congregation coming in, and shake their hands on the way out. A cheerless place, with worn floorboards and dark, varnished wood. It smelled of dust and damp clothes and time. A smell, it seemed, that had not changed in thirty years. Evocative of those long Sabbath days when Fin’s parents had made him sit through an hour and a half of Gaelic psalm-singing and a fiery midday sermon, followed by another dose at six o’clock. In the afternoon he’d had to endure two hours of Sunday school in the hall at the back of the church. When he wasn’t at church, or at Sunday school, he would have to stay in the house while his father read from the Gaelic Bible.
    Fin traced his childhood footsteps through the left-hand door and into the church itself, rows of unforgiving wooden pews flanking two aisles leading to the raised and railed area at the far end, from which sombre elders would lead the psalm-singing. The pulpit rose high above, an elaborately carved dais set into the wall and reached by curving staircases on either side. Its position of elevation

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