yourself, if youâve lived a little. Trouble is, thirty-eight wears off.â
âI donât think about age, just what Iâm doing. Work, mainly. I think about my work a lot.â
âThatâs good,â Jack said. âWork is the lifeblood. Donât buy into any of this horseshit about following your dreams and pissing time away wondering how you feel about everything. Do the work. Youâre not gonna hit the moon with a bow and arrow.â He sounded preachy, even to himself. âSorry,â he said. âMy forty-ninth birthday just passed me at a dead run and Iâm getting philosophical.â
âForty-nine? I had you down for late twenties,â she said.
He laughed. âI guess itâs justâ¦I donât know, fifty. Itâs a time for taking stock. And my inventory is looking dog-eared.â
âSix best-sellers and a play. Not so shabby from where Iâm sitting.â
âI guess Iâm looking at it from the two divorces and writerâs block angle.â
âWriterâs block. Is that a real thing?â
âNo. Itâs bullshit.â
Hatty brought their food, but Adrienne went on looking at him. She paused from picking a caper from her plate and asked, âReally?â genuinely wanting explanation, interested.
âItâs a useful term, but the block isnât really psychological. Not for me anyway. It happens about here.â He indicated his left elbow with the fork in his right hand, then tapped his forehead. âThe stuff that starts out up here, doesnât make it past my elbow in the kind of condition I want it to. Itâs not that I canât write. Itâs that I start expecting myself to put down my grand thoughts and have them look as penetrating and erudite on the page as they sounded in my head. I hit these points from time to time when I expect what I write not to need editing. Thatâs why, in my case anyway, itâs bullshit. Everything needs editing.â
âEverything.â
âEverything: biographies, closets, address books, friendships, fiction, life.â
She smiled at him and they ate for a while and then she put her fork down with finality, although her plate was still half full.
âHowâd you know about the play?â he asked.
âI saw it. A long time ago, in a little theater in Newbridge. I liked it. I liked it very much, actually.â
âHah. Imagine that.â There was a momentâs silence. He wanted to get off the subject. âIâm guessing Iâm not going to be able to talk you into any pie?â he said.
 Â
She hadnât come back to the house. Theyâd said good-bye at the car again. Standing next to it, she had not looked at him in that yearning way women did sometimes on parting. She was sure of herself, this woman. Calm and sure. Initiating their kiss good-bye, Jack had felt calm and sure himself.
Dear Eve,
This is a difficult letter to write. And I think, possibly, for you to read. There are so many things that I would like it to say, but Iâm not sure that I will find the words. I hope that perhaps you will find them, hidden in mine.
I am writing to say I am sorry. There, that wasnât so hard. And yet it has taken me more than twenty years. I have never said it. Not to you. I am saying it now. I know that I behaved appallingly at the end of our marriage, and I am shocked now when I think back to how young you were. Younger than Izzy is, and she seems to me, for all her self-assuredness and competence, not much more than a child.
I have not come to this acknowledgement lightly, as you will imagine. You were always intelligent and I suspect far more aware of most things than you were given credit for. I remember you, too, as good; thoroughly, fundamentally good. I will do my best to emulate your example from now on. I am fifty now. Too old to be foolish and too young not to make the best of the years left to me,
Fuyumi Ono
Tailley (MC 6)
Robert Graysmith
Rich Restucci
Chris Fox
James Sallis
John Harris
Robin Jones Gunn
Linda Lael Miller
Nancy Springer