youâre on the job when youâre not supposed to be, and some juicy infrared shots of you and Sally fucking. If you donât do what I want, my buddies chop Sally to pieces and the pictures go to your wife, the L.A.P.D., the bank and Hustler magazine. Dig me, dick breath?â
The gasp was now a whimper. âYes. Yes. Yes.â
âGood. Now, I want you to call Sally and have her introduce you to my colleagues. Iâll call you back in exactly three minutes. Thereâs a tap on your phone, so if you call the cops, another colleague will know and call Sallyâs roommates and tell them to do some chopping. Do you understand?â
âY-yes.â
Rice said, âThree minutes or chop, chop,â then hung up. He watched the second hand on his Timex, pleased that his spontaneous bullshit about the photographs and phone tap had been so easy. When the hand made three sweeps, he again dialed Hawleyâs number.
âYes?â A groveling whimper.
âYou ready?â
âYes.â
âGood. I want you to get in your car and take your usual route to the bank. Iâve been tailing you for days, so I know the route. Park on the west side of Woodman a half block north of Ventura. Iâll meet you there. Youâre being tailed, so donât fuck up. Iâll see you there in twelve minutes.â
Hawleyâs reply was a barely audible squeak. Rice hung up and walked very slowly to his Pontiac, forcing himself to count to fifty before he hit the ignition and eased the car into traffic. When he was six blocks from Hawleyâs house, he resumed counting, figuring that the bank manager would pass him in the opposite direction before he hit twenty-five. He was right; at twenty-two, Hawleyâs tan Cadillac approached at way over the speed limit, swerving so close to the double line that he pulled to the right to avoid a head-on. There were no cop cars anywhere. Nothing suspicious. Just business going down.
Rice cut over to side streets paralleling Ventura, pushing the car at forty-five, so that he wouldnât get stuck waiting for Hawley to arrive. At Woodman he turned right and parked immediately, a solid hundred and fifty yards from the spot where the bank man was to meet him. Just as he set the brake and grabbed a briefcase from the back seat, Hawleyâs Caddy hung an erratic turn off Ventura and slowed. Rice checked his fake mustache in the rearview mirror. Mr. Solid Citizen out for a stroll.
The bank man was acting like Mr. Solid Citizen on a trip to Panic City. Rice walked toward the bank parking lot, watching Hawley scrape bumpers as he parallel-parked his Caddy, plowing into the curb twice before squeezing into an easy space. When he finally got out and stood by the car, he was shaking from head to foot.
Rice approached, swinging the briefcase casually. Hawley frantically eyeballed the street. Their eyes locked for an instant, then Hawley turned around and checked out his blind side. Rice grinned at his protective image and came up on the bank manager and tapped him on the shoulder. âBob, how nice to see you!â
Hawley did a jerky pivot. âPlease, not now. Iâm meeting someone.â
Rice clapped Hawley on the back and spun him in the direction of the bank, keeping an arm around his shoulders as he hissed, âYouâre meeting me , dick breath. Weâre going straight to the tellers boxes, then straight back to your car.â He dug his fingers into the bank manâs collarbone and gouged in concert with sound effects: âChop, chop, chop.â Hawley winced with each syllable and let himself be propelled toward the bank.
At the front door, Hawley inserted keys into the three locks while Rice stood aside with one eye cocked in the direction of Ventura Boulevard. No patrol cars; no unmarked cruisers; nothing remotely off. The doors sprung open and they stepped inside. The bank man locked a central mechanism attached to the floor runner
L.E Modesitt
Latrivia Nelson
Katheryn Kiden
Graham Johnson
Mort Castle
Mary Daheim
Thalia Frost
Darren Shan
B. B. Hamel
Stan & Jan Berenstain