grinned.
âAre you telling me you spent a hundred and twenty bucks so you could photograph some old gray building?â
âLook at it, Tessa. Really look.â
So I did. This time, I noticed two pigeons pecking each other on one of the windowsills.
âWhat do you see?â Cyrus asked.
âI see two pigeons on a windowsill.â
âYouâre getting warmer. Tell me what else you see.â
âI think I see a spider plant in another window. And a tall lamp. Cyrus, are you going to be taking photos of what you can see in that other buildingâs windows? Is that even legal?â
Cyrus laughed. âOf course itâs legal. Besides, Iâm not looking for anything kinky. Itâs an office building, Tessa. No oneâll be there over the weekend except maybe a janitor. What Iâm interested in is the lonely feeling of an empty buildingâthat spider plant you mentioned, the lamp, a desk with nothing on it or piled high with papers. With my telephoto zoom, Iâll be able to see inside a lot of windows.â
âHmm,â I said. Maybe it wasnât such a bad idea after all.
âOf course, Iâll need better light than weâve got today. Hold this, will you?â Cyrus handed me his tripod. He took out his camera and started snapping photos of the building across from us.
âI thought you said the light wasnât right.â
âIt isnât,â he said as he continued snapping. âThis is just a test shoot .â He kneeled down to get another angle.
Because I knew this could take a while, I went to sit down on one of the lawn chairs. Sitting felt good. My muscles were sore from working out.
âCareful with my tripod!â Cyrus called out.
âIâm getting hungry,â I told him.
He wasnât listening. This was one of those times that Cyrusâs commitment to his photography got on my nerves.
âIâm getting hungry,â I said again.
When Cyrus didnât answer, I got up from the lawn chair and walked over to the other side of the roof. From here, I could see all of Chinatown. The giant gold-and-red decorative arch on St-Laurent Boulevard, the neon restaurant signs with Chinese lettering, the square where people practiced tai chi on Sunday mornings. A garbage truck was making its rounds. A woman dragging a green garbage bag rushed to get it to the curb in time.
Photographing what was in the building across the street was a cool idea, but this view was interesting too. Being up here gave me distance, helped me see the beauty in an ordinary street scene.
The constant clicking of Cyrusâs camera finally stopped. âCome look over here,â I called out to him.
Cyrus came to stand behind me. He put his hand on my neck and massaged the dip between my shoulder blades.
âDonât you think this would make a good photo too?â I asked Cyrus.
He looked out at Chinatown. I hoped heâd see what I had. âIt doesnât do much for me,â he said. âHey, whereâs my tripod?â
âRelax,â I told him. âItâs right there. On the lawn chair.â
âOkay, okay,â Cyrus said. âI just got a little worried. You know what they say about that Gitzo tripod. Itâs theââ
âFerrari of tripods.â It wasnât hard to finish Cyrusâs sentence. He was almost as obsessed with that tripod as he was with his camera.
âHave a look at what I shot,â Cyrus said.
Cyrus had caught the pair of pigeons. Heâd also caught a mop leaning, like a tired person, against a metal filing cabinet. Cyrus might not be as hot as Randy, and he was possessive and jealous and he talked a lot about himself, but when I saw his photos, I wasâ¦wellâ¦dazzled. How could I break up with a guy who still dazzled me?
After we left the building, we decided to get dumplings on de la Gauchetière Street. Dumplings had two things going for them: they
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