actually spilling it. He sat down and took a sip, saying, âAh, thatâs better. Now, settle down and tell me why youâve come to see me. I donât get many visitors from the â ah â outside world these days.â
âWe have reason to believe that the late Mrs Powell,â began Sloan without preamble, âthought she was being murdered.â
âAnd does anyone else think so?â Two bright birdlike eyes regarded the two policemen with lively interest.
âNo one whom we know about,â said Sloan with care.
âAnd was she?â The Judge turned his head to one side quizzically. âMurdered, I mean.â
âWe donât know yet.â Sloan saw no reason for prevarication. The Judge might have got a tremor but he still seemed to have all his marbles as well.
âAhâ¦â Calum Gillespie took another appreciative sip of the Bual before using two hands to lower the glass onto an occasional table. âWould it be â er â presumptuous of me to enquire whether you, too, have grounds for thinking she might have been?â
âNot, sir, what you could call really firm evidence,â replied Sloan, giving him full marks for getting straight to the heart of the matter. âNot yet.â
âI see.â The Judge drew his eyebrows together in a prodigious frown and became sunk in thought. âDifficult for you ⦠for everybody.â
Detective Inspector Sloan, experienced giver of evidence, waited much as he would have done â did â in court. Judges always took as long as they needed â as long as they wanted â to think. It was one of their privileges. It was not for them to be harried into ill-considered speech by counsel or trapped into the all too revealing âresponse immediateâ.
âAnd would I be right,â the old man said at long last, âin concluding therefore that the result of any post-mortem examination has so far been inconclusive?â
âAwaiting the full report,â said Sloan ambiguously. Not only had the old boy got all his marbles but they were patently in excellent working order.
âWhy, then, Inspector, might I ask, have you come to see me?â
âFor background,â said Sloan glibly. Too glibly, because Crosby seemed to think that the word needed amplification.
The constable looked earnestly at the frail old man and said in loud tones, âWe want to know, sir, if thereâs been any dirty work at the crossroads that you know about here at the Manor.â
âThereâs always been dirty work at the crossroads, Constable,â the Judge said unexpectedly.
Crosby said, âI know butâ¦â
âBecause the crossroads were always where they had the gibbet,â said Calum Gillespie hortatively, reaching for his glass of Madeira.
âI didnât mean then,â protested Crosby. âI meant now.â
âAnd they had it there,â went on the nonagenarian, serenely disregarding the detective constableâs remarks, âbecause the crossroads were usually where the parish boundaries met and they always had the gibbet on the boundary if they could ⦠saved having two and kept it out of your own backyard.â
âQuite so,â Detective Inspector Sloan came in smoothly, reminding himself that in the early days of this Judge they had hanged men. And women. What Crosby needed was hanging out to dry. He leaned forward and said, âI wonder, sir, if you would care to tell us why you are so very attached to your old coat?â
The glass that had so nearly reached Judge Calum Gillespieâs lips fell suddenly out of his nerveless hands, sending its delectable contents spilling out stickily over the old manâs suit.
âWhy have you come?â he quavered breathlessly, his face turning an unhealthy shade of purple. âWho sent you here?â
Chapter Eleven
Early or late
They stoop to fate
âThen
Jayne Ann Krentz
Laura Marie Altom
John Maddox Roberts
Alissa Johnson
Melissa Haag
Tiffany A. Snow
Dana Marie Bell
M. G. Vassanji
Colleen Coble
Leah Banicki