Steppenwolf
Certainly, that was the easier and wiser thing to do. Whether the arguments about ‘suicide cases’ in the Steppenwolf pamphlet were correct or not, nobody could deny me the satisfaction of ending my life with the help of carbon
monoxide, a cut-throat razor or a pistol, thus sparing myself any repetition of the bitterly agonizing process that I had, believe me, been obliged to endure all too often and too intensely. No, damnit all, no power in the world could require me to endure the mortal dread of another confrontation with my self, another reshaping of my identity, a new incarnation, the aim and outcome of which was never, of course, peace and quiet, but simply renewed destruction of the self followed by yet more self-redevelopment! Suicide might well be stupid, cowardly and shabby, it might be an inglorious and shameful emergency exit, but any exit from this grinding mill of suffering, even the most ignominious, was devoutly to be wished. My life was no longer a stage for heroes and the noble-minded; what I now faced was a simple choice between a slight, momentary pain and unimaginably agonizing, endless suffering. In the course of my so difficult, so crazy life I had played
the noble Don Quixote often enough, preferring honour to comfort and heroism to reason. Enough was enough!
    When I finally got to bed, morning was already gaping in through the window panes, the leaden morning, curse it, of a rainy winter’s day. I took my decision to bed with me. However, at the very last moment, at the extreme limit of consciousness just before falling asleep, that remarkable passage from the Steppenwolf pamphlet flashed before my mind’s eye in which the ‘Immortals’ were mentioned. In connection with this I suddenly remembered that on a number of occasions, and only recently, I had felt close enough to the Immortals to be able to savour in a few notes of early music all their cool, bright, harshly smiling wisdom. The memory of it surfaced, shining brightly, only to fade again when sleep, as heavy as a mountain, descended on my brow.
    Waking towards midday, I was soon able to view my situation clearly again. The little booklet was there on my bedside table together with the poem, and my decision still stood. Overnight, as I slept, it had become firm and rounded, and now, emerging from the chaos that had been my life in recent times, it was taking a cool but kind look at me. There was no need to rush things.My decision to die was no passing whim, but a fruit that had ripened and would keep. It had grown slowly and was heavy now, gently rocked by the wind of fate and bound to fall when the next gust came along.
    In my travelling medicine chest I had an excellent painkiller, a particularly strong opiate that I only rarely resorted to, often denying myself for months on end the relief it brought. Only when racked by pain to the point where my body could no longer stand it did I take this potent analgesic. Unfortunately it was not suitable for committing suicide. I had tried it out years ago when once again engulfed in despair. I had swallowed a fair old quantity of it, enough to kill six people, and still it did not kill me. It did put me to sleep, and I lay there fully anaesthetized for a few hours, but to my terrible disappointment I was then half wakened by strong stomach convulsions. Without fully coming to, I brought up all the poison and went to sleep again, only finally waking up midway through the next day. I felt horribly sober, burned out and empty-headed, scarcely able to remember a thing. Apart from a spell of sleeplessness and
irritating stomach pains the poison had no after-effects.
    This means was therefore out of the question. But I now formulated my decision as follows: as soon as my condition was again bad enough to make me reach for that opiate, I should be allowed, instead of slurping it in search of fleeting relief, to seek lasting salvation in death – and a certain and reliable death, what’s more, either

Similar Books

Wildest Hearts

Jayne Ann Krentz

The Path to James

Jane Radford

Playing Dead

Jessie Keane

The Brewer of Preston

Andrea Camilleri