Solomon's Song

Solomon's Song by Bryce Courtenay

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Authors: Bryce Courtenay
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secretly they conclude they are engaged in a simple transaction, no different to a stud bull. In return for their seed well planted, they will have no further obligations and be free to enjoy the fruits of their labour, the abundant dowry that comes with a successful coupling. Hinetitama’s half-breed status, they tell themselves, precludes any future considerations or obligations they might be expected to show her as a husband.
    Nor is Mary under any illusions. She observes their greedy eyes and reads their sycophantic gestures towards her and the sloppy compliments directed at her granddaughter for what they are and she knows that the only reason the men have accepted her invitation is because of her money.
    Despite Mary’s extreme wealth her granddaughter is still a half-caste and as Ikey might say, ‘Not quite kosher, my dear.’ While she hopes for a marriage based on mutual respect she knows this to be highly unlikely. Mary, though anxious that her granddaughter not marry beneath her status, is not looking for perfection. She admits to herself that the potency of the pistol the successful suitor carries between his legs is more important than his looks or even his brains, given her observation that most men seem to be more or less of equal stupidity. She has been told that the Maori blood breeds out and so, if anything, she shows a distinct preference for men of a fair complexion.
    But she has not reckoned on Hinetitama’s stubbornness. Her granddaughter, while co-operating in most things, refuses to accept any of the suitors Mary introduces. No amount of cajoling or persuasion will convince her and she seems quite impervious to Mary’s temper.
    ‘They are all fuddy-duddies and complete ninnies and speak only of commerce, farming, hunting, horses, racing and football. Of commerce I know nothing and of the others I’ve heard enough after two minutes. They cannot sing or dance and they have no laughter in their bellies like a Maori man. I’d be ashamed to carry their baby in my stomach!’
    Mary admits to herself privately that she agrees with her granddaughter, they are a poor lot, men mostly left over in the first place because of their lack of prospects or character. She thinks of taking her granddaughter to the mainland, to Sydney or Melbourne, where the pickings can be expected to be rather better, especially among the burgeoning middle classes. But first Hinetitama must have a veneer of culture applied sufficiently thickly not to arouse the suspicions of a would-be mother-in-law, that is, until it is too late and the nuptials are concluded. Whereupon the family can happily console themselves with the dowry her granddaughter brings to the marriage.
    As the battle of wills rages between the two women Hawk’s respect grows for his niece, but he knows the fight is one-sided and Mary will not give up under any circumstances. Even though she is plainly enchanted with Hinetitama she will attempt to achieve her ambition for great-grandchildren at any cost.
    Hawk realises that Mary is at deadly serious play with Tommo’s daughter. She watches her every lesson and makes her practise what she has learned. Although Mary is conscious of her own lack of grammar and syntax, she has always been a great reader and she is quick to correct a grammatical slip or a mispronunciation if Hinetitama should revert for a moment to her accustomed pattern of speech.
    ‘If you know what’s correct grammar, Grandmother, then why do you talk differently?’ Hinetitama asks her one evening after Mary has corrected her half a dozen times. It is at the time an innocent enough question but is to begin a conversation which will affect Hinetitama’s entire life.
    ‘Too old, my dear, can’t teach an old dog new tricks. Never had no time for all that malarky, talkin’ posh when you ain’t. Folks can take me for who I am, common as dirt, or not at all.’
    ‘Why then must I learn all this stuff?’ Hinetitama protests, ‘I’m common as

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