get in or do you want me to pick you up and put you in?â
âIâm going to cry in a minute. Youâd better let me go.â
âOh, damn! Why, sugar, I didnât mean it that way. I just wanted to see you. Weâve got to see each other if itâs going to be all off with us. Come on, Iâve been good to you.â
She relaxed. âWell, but just around the block then. Iâve got to get back to them.â She raised a foot to the running board. âPromise?â she insisted.
âSure. Round the block it is. I wonât run off with you if you say not.â
She got in, and as they drove off she looked quickly to the house. There was a face in the window, a round face.
IV
George turned from the street and drove down a quiet lane bordered by trees, between walls covered with honeysuckle. He stopped the car, and she said swiftly:
âNo, no, George! Drive on.â
But he cut the switch. âPlease,â she repeated. He turned in his seat.
âCecily, you are kidding me, arenât you?â
She turned the switch and tried to reach the starter with her foot. He caught her hands, holding her. âLook at me.â
Her eyes grew blue again with foreboding.
âI donât know. Oh, George, it all happened so suddenly! I donât know what to think. When we were in there talking about him it all seemed so grand for Donald to be coming back, in spite of that woman with him; and to be engaged to a man who will be famous when he gets hereâoh, it seemed then that I did love him: it was exactly the thing to do. But now . . . Iâm just not ready to be married yet. And heâs been gone so long, and to take up with another woman on his way to meâI donât know what to do. IâIâm going to cry,â she ended suddenly, putting her crooked arm on the seatback and burying her face in her elbow. He put his arm around her shoulders and tried to draw her to him. She raised her hands between them, straightening her arms.
âNo, no, take me back.â
âBut Cecilyââ
âYou mustnât! Donât you know Iâm engaged to be married? Heâll probably want to be married tomorrow, and, Iâll have to do it.â
âBut you canât do that. You arenât in love with him.â
âBut Iâve got to, I tell you!â
âAre you in love with him?â
âTake me back to Uncle Joeâs. Please!â
He was the stronger and at last he held her close, feeling her small bones, her frail taut body beneath her dress. âAre you in love with him?â he repeated.
She burrowed her face into his coat.
âLook at me.â She refused to lift her face and he slipped his hand under her chin, raising it. âAre you?â
âYes, yes,â she said wildly, staring at him. âTake me back!â
âYou are lying. You arenât going to marry him.â
She was weeping. âYes, I am. Iâve got to. He expects it and Uncle Joe expects it. I must, I tell you.â
âDarling, you canât. Donât you love me? You know you do. You canât marry him.â She stopped struggling and lay against him, crying. âCome on, say you wonât marry him.â
âGeorge, I canât,â she said hopelessly. âDonât you see I have got to marry him?â
Young and miserable they clung to each other. The slumbrous afternoon lay about them in the empty lane. Even the sparrows seemed drowsy and from the spire of the church pigeons were remote and monotonous, unemphatic as sleep. She raised her face.
âKiss me, George.â
He tasted tears: their faces were coolly touching. She drew her head back, searching his face. âThat was the last time, George.â
âNo, no,â he objected, tightening his arms. She resisted a moment, then kissed him passionately. âDarling!â
âDarling!â
She straightened up, dabbing at her
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