what keeps me poor,” Josephine said. “Girls like that. What a night, what a dirty whore of a night!”
“I’m a dancer,” Bertha Zelinka was saying two hours later, her coat off, in Enders’ room, as she drank the whisky straight in one of the two water tumblers the room boasted. “Specialty dancing.” She put the whisky down, suddenly sank beautifully to the floor in a split. “I’m as supple as a cat.”
“I see,” Enders said, his eyes furious with admiration for Miss Zelinka, full-breasted, flat-bellied, steel-thighed, supple as a cat, spread magnificently on the dirty carpet. It was more pleasant to look at her body, now that he had seen her eating, mouth opened to reveal the poor, poverty-stricken, ruined teeth jagged and sorrowful in her mouth. “That looks very hard to do.”
“My name’s been in lights,” Miss Zelinka said, from the floor. “Please pass the whisky. From one end of the country to another. I’ve stopped show after show. I’ve got an uncanny sense of timing.” She stood up, after taking another draught of her whisky, closing her eyes with a kind of harsh rapture as the Four Roses went down past the miserable teeth, down inside the powerful, long white throat. “I’m an actress, too, you know, Mr. Enders.”
“I’m an actor,” Enders said shyly, feeling the whisky beat in his blood, keeping his eyes fiercely and wonderingly on Miss Zelinka. “That’s why I’m in New York. I’m an actor.”
“You ought to be a good actor,” Miss Zelinka said. “You got the face for it. It’s refined.” She poured herself another drink, watching the amber liquor pour into her glass with a brooding, intense expression in her face. “I had my name in lights from coast to coast. Don’t you believe it?”
“I believe it,” Enders said sincerely, noting that half the bottle was already gone.
“That’s why I’m here now,” she said. She walked beautifully around the small, flaky-walled room, her hands running sorrowfully over the warped bureau, the painted bedstead. “That’s why I’m here now.” Her voice was faraway and echoing, hoarse with whisky and regret. “I’m very much in demand, you know. I’ve stopped shows for ten minutes at a time. They wouldn’t let me get off the stage. Musicals that cost one hundred and fifty thousand to ring the curtain up. That’s why I’m here now,” she said mysteriously, and drained her glass. She threw herself on the bed next to Enders, stared moodily through almost closed eyes, at the stained and beaten ceiling. “The Shuberts’re putting on a musical. They want me for it. Rehearsals are on Fifty-second Street, so I thought I’d move close by for the time being.” She sat up, silently reached for the bottle, poured with the fixed expression, brooding and infatuate, which she reserved for the distillers’ product. Enders, too full for words, sitting on the same bed with a woman who looked like Greta Garbo, who had stopped musical shows with specialty dancing from coast to coast, who got drunk with the assured yet ferocious grace of a young society matron, watched her every move, with hope, admiration, growing passion.
“You might ask,” Miss Zelinka said, “what is a person like myself doing in a rat-hole like this.” She waited, but Enders merely gulped silently at his whisky. She chuckled and patted his hand. “You’re a nice boy. Iowa, you said? You come from Iowa?”
“Iowa.”
“Corn,” Miss Zelinka said. “That’s what they grow in Iowa.” She nodded, having placed Iowa and Enders firmly in her mind. “I passed through Iowa on my way to Hollywood.” Half the whisky in her glass disappeared.
“Have you acted in pictures?” Enders asked, impressed, sitting on the same bed with a woman who had been in Hollywood.
Miss Zelinka laughed moodily. “Hollywood!” She finished her drink. “Don’t look for my footprints in front of Grauman’s Chinese.” She reached fluently for the bottle.
“It seems to
“I’m a dancer,” Bertha Zelinka was saying two hours later, her coat off, in Enders’ room, as she drank the whisky straight in one of the two water tumblers the room boasted. “Specialty dancing.” She put the whisky down, suddenly sank beautifully to the floor in a split. “I’m as supple as a cat.”
“I see,” Enders said, his eyes furious with admiration for Miss Zelinka, full-breasted, flat-bellied, steel-thighed, supple as a cat, spread magnificently on the dirty carpet. It was more pleasant to look at her body, now that he had seen her eating, mouth opened to reveal the poor, poverty-stricken, ruined teeth jagged and sorrowful in her mouth. “That looks very hard to do.”
“My name’s been in lights,” Miss Zelinka said, from the floor. “Please pass the whisky. From one end of the country to another. I’ve stopped show after show. I’ve got an uncanny sense of timing.” She stood up, after taking another draught of her whisky, closing her eyes with a kind of harsh rapture as the Four Roses went down past the miserable teeth, down inside the powerful, long white throat. “I’m an actress, too, you know, Mr. Enders.”
“I’m an actor,” Enders said shyly, feeling the whisky beat in his blood, keeping his eyes fiercely and wonderingly on Miss Zelinka. “That’s why I’m in New York. I’m an actor.”
“You ought to be a good actor,” Miss Zelinka said. “You got the face for it. It’s refined.” She poured herself another drink, watching the amber liquor pour into her glass with a brooding, intense expression in her face. “I had my name in lights from coast to coast. Don’t you believe it?”
“I believe it,” Enders said sincerely, noting that half the bottle was already gone.
“That’s why I’m here now,” she said. She walked beautifully around the small, flaky-walled room, her hands running sorrowfully over the warped bureau, the painted bedstead. “That’s why I’m here now.” Her voice was faraway and echoing, hoarse with whisky and regret. “I’m very much in demand, you know. I’ve stopped shows for ten minutes at a time. They wouldn’t let me get off the stage. Musicals that cost one hundred and fifty thousand to ring the curtain up. That’s why I’m here now,” she said mysteriously, and drained her glass. She threw herself on the bed next to Enders, stared moodily through almost closed eyes, at the stained and beaten ceiling. “The Shuberts’re putting on a musical. They want me for it. Rehearsals are on Fifty-second Street, so I thought I’d move close by for the time being.” She sat up, silently reached for the bottle, poured with the fixed expression, brooding and infatuate, which she reserved for the distillers’ product. Enders, too full for words, sitting on the same bed with a woman who looked like Greta Garbo, who had stopped musical shows with specialty dancing from coast to coast, who got drunk with the assured yet ferocious grace of a young society matron, watched her every move, with hope, admiration, growing passion.
“You might ask,” Miss Zelinka said, “what is a person like myself doing in a rat-hole like this.” She waited, but Enders merely gulped silently at his whisky. She chuckled and patted his hand. “You’re a nice boy. Iowa, you said? You come from Iowa?”
“Iowa.”
“Corn,” Miss Zelinka said. “That’s what they grow in Iowa.” She nodded, having placed Iowa and Enders firmly in her mind. “I passed through Iowa on my way to Hollywood.” Half the whisky in her glass disappeared.
“Have you acted in pictures?” Enders asked, impressed, sitting on the same bed with a woman who had been in Hollywood.
Miss Zelinka laughed moodily. “Hollywood!” She finished her drink. “Don’t look for my footprints in front of Grauman’s Chinese.” She reached fluently for the bottle.
“It seems to
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