for thinking such thoughts. And pushed her hands deep into her pockets.
Joe is going to London tomorrow. The day at the Ha'penny Bridge was two days ago. In the intervening time, he and Tess have walked and talked, eaten together, laughed a lot and spent yesterday evening reading quietly in the drawing room before watching News at Ten in the sitting room. She does still sometimes wonder whether she should ask permission. And he does recall the structure he'd imposed on previous house-sitters. He still hasn't given her the pack. But he has to concede, the house seems to have shown that it works well for the two of them.
It is now mid-morning and Joe has finally emerged from his study and is pottering in the kitchen, taking a break from work. He sees Tess is outside, pegging out washing. Emmeline and Wolf are lolling about in the garden. It is surprisingly balmy today, as if a switch has turned off the chill of earlier in the week until next winter. April is two days away; spring is within easy reach now.
He studies the scene in the garden. It is less a Thomas Hardy novel and more an Edward Hopper painting. Tess, with her back towards him, wearing a faded tea-dress and woollen cardigan with the sleeves pushed up, a pair of old cream trainers. The breeze furling the washing around her forearms and causing the skirt to cling to her bare legs, licking at the fronds and curls of her hair which have escaped her scratchy pony-tail. Every now and then she turns her face a little as she stoops to pick up the next item or to check on Emmeline. And it is then that the sun glances off her skin and spins silken skeins from her hair. Joe wants to watch but he doesn't want to be seen and it confuses him that the scene is so compelling. He goes upstairs to his bedroom to pack for London but finds himself drawn to the window, peering down onto the garden, again transfixed by the sight of her sorting socks.
And look, my boxers. I didn't know she'd done my washing.
He is concerned, bemused, how a picture of such dull domesticity can be arousing, but this is the undeniable effect on him. Perhaps it is the feminine presence. Perhaps it is because at this angle, the sunlight has made her dress see-through. Maybe it is just because he likes her, he has enjoyed her company these last few days; it has been simple and uncomplicated yet entertaining and energizing too. And there's that frisson – how she can be stroppy and how he winds her up, that she can make him snappish and curt. It doesn't make him dislike her, far from it, but it unnerves him that he should feel eager to seek peace soon after. He tells himself, London, you prat, London. So he goes back to his packing.
But before he returns downstairs, he hovers on the landing and then goes up a flight to Tess's room. He's not really sure why. She's outside – he has only to go to a window to watch her, unseen. But he doesn't want to see her, he wants to sense her. That's why he's standing at her doorway.
There's not much to see: a pair of jeans on the floor. Socks in a scrunch. And a pair of plain black knickers kicked off nearby. Nathalie accosts his mind's eye; resplendent in her carefully selected and unfathomably expensive lingerie. Gold mesh and miniscule. Joe steps further into the room and picks up her knickers from the floor. Black cotton. He holds them to his nose, inhaling deeply while calling himself a crazy, dirty bastard. But still he goes to his bathroom to masturbate urgently. It isn't thoughts of Nathalie that have excited this state in the middle of a nondescript morning. He didn't think back to all that sex he'd had the week before. Rather, it was the sight of Tess this morning, in a shabby dress and old cardi. It's the proximity of her right now, just out there in the garden. The girl with the plain cotton knickers. And so, it isn't images of Nathalie that he now wanks to, but the still prevalent sense and scents of Tess. He comes and it's exquisite.
He opens his eyes after a
Joe is going to London tomorrow. The day at the Ha'penny Bridge was two days ago. In the intervening time, he and Tess have walked and talked, eaten together, laughed a lot and spent yesterday evening reading quietly in the drawing room before watching News at Ten in the sitting room. She does still sometimes wonder whether she should ask permission. And he does recall the structure he'd imposed on previous house-sitters. He still hasn't given her the pack. But he has to concede, the house seems to have shown that it works well for the two of them.
It is now mid-morning and Joe has finally emerged from his study and is pottering in the kitchen, taking a break from work. He sees Tess is outside, pegging out washing. Emmeline and Wolf are lolling about in the garden. It is surprisingly balmy today, as if a switch has turned off the chill of earlier in the week until next winter. April is two days away; spring is within easy reach now.
He studies the scene in the garden. It is less a Thomas Hardy novel and more an Edward Hopper painting. Tess, with her back towards him, wearing a faded tea-dress and woollen cardigan with the sleeves pushed up, a pair of old cream trainers. The breeze furling the washing around her forearms and causing the skirt to cling to her bare legs, licking at the fronds and curls of her hair which have escaped her scratchy pony-tail. Every now and then she turns her face a little as she stoops to pick up the next item or to check on Emmeline. And it is then that the sun glances off her skin and spins silken skeins from her hair. Joe wants to watch but he doesn't want to be seen and it confuses him that the scene is so compelling. He goes upstairs to his bedroom to pack for London but finds himself drawn to the window, peering down onto the garden, again transfixed by the sight of her sorting socks.
And look, my boxers. I didn't know she'd done my washing.
He is concerned, bemused, how a picture of such dull domesticity can be arousing, but this is the undeniable effect on him. Perhaps it is the feminine presence. Perhaps it is because at this angle, the sunlight has made her dress see-through. Maybe it is just because he likes her, he has enjoyed her company these last few days; it has been simple and uncomplicated yet entertaining and energizing too. And there's that frisson – how she can be stroppy and how he winds her up, that she can make him snappish and curt. It doesn't make him dislike her, far from it, but it unnerves him that he should feel eager to seek peace soon after. He tells himself, London, you prat, London. So he goes back to his packing.
But before he returns downstairs, he hovers on the landing and then goes up a flight to Tess's room. He's not really sure why. She's outside – he has only to go to a window to watch her, unseen. But he doesn't want to see her, he wants to sense her. That's why he's standing at her doorway.
There's not much to see: a pair of jeans on the floor. Socks in a scrunch. And a pair of plain black knickers kicked off nearby. Nathalie accosts his mind's eye; resplendent in her carefully selected and unfathomably expensive lingerie. Gold mesh and miniscule. Joe steps further into the room and picks up her knickers from the floor. Black cotton. He holds them to his nose, inhaling deeply while calling himself a crazy, dirty bastard. But still he goes to his bathroom to masturbate urgently. It isn't thoughts of Nathalie that have excited this state in the middle of a nondescript morning. He didn't think back to all that sex he'd had the week before. Rather, it was the sight of Tess this morning, in a shabby dress and old cardi. It's the proximity of her right now, just out there in the garden. The girl with the plain cotton knickers. And so, it isn't images of Nathalie that he now wanks to, but the still prevalent sense and scents of Tess. He comes and it's exquisite.
He opens his eyes after a
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