Secondhand Souls

Secondhand Souls by Christopher Moore

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Authors: Christopher Moore
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“What guy?” but by that time we’re through the door and the band is playing, the horn player going to town on the old standard “Chicago,” to which I remove my sailor’s hat, because it is, indeed, my kind of town. So we drink and listen to jazz and laugh at nothing much, ’cause the kid doesn’t want to think about where he’s going, and he doesn’t want to think about where he came from, and I can’t figure out how to get behind this Dorothy thing with the band playing. After a few snorts, the kid even lets a dame take him out on the dance floor, and because he more resembles a club-footed blind man killing roaches than a dancer, I head for the can to avoid associating with him, and on my way back, I accidently bump into a dogface, spilling his drink. And before I can apologize, when I am still on the part that despite his being a pissant, lamebrained, clumsy, ham-handed army son of a bitch, it is a total accident that I bump into him and spill his drink, he takes a swing at me. And since he grazes my chin no little, I am obliged to return his ministrations with a left to the fucking breadbasket and a right cross which sails safely across his bow. At which point, the entire Seventh Infantry comes out of the woodwork, and soon I am dodging a dozen green meanies, taking hits to the engine room, the galley, as well as the bridge, and my return fire is having little to no effect on the thirty-eleven or so guys what are wailing on me. I am sinking fast, about to go down for the count. Then two of the GIs go flying back like they are catching cannonballs, and then two more from the other side, and through what light I can see, Private Eddie Boedeker, Jr., wades into the GIs like the hammer of fucking God, taking out a GI with every punch, and those that are not punched are grabbed by the shirt and hurled with no little urgency over tables, chairs, and various downed citizens, and it occurs to me that I have perhaps judged the kid’s dancing chops too harshly, for while he cannot put two dance steps together if you paint them on the floor, he appears to have a right-left combination that will stop a panzer.
    Before long, guys from all branches of service are exchanging opinions and broken furniture and I hear the sinister chorus of MP whistles, at which point I grab the kid by the belt and drag him backward through the tables and the curtain behind the stage and out into the alley, where I collapse for a second to collect my thoughts and test a loose tooth, and the kid bends over, hands on his knees, gasping for breath, laughing and spitting a little blood.
    “So, kid,” I says. “You saved my bacon.” And I offer him a bloody-knuckled handshake.
    Kid takes my hand and says, “Friends of Dorothy,” and pulls me into a big hug.
    “Yeah, yeah, Friends of fucking Dorothy,” I say, slapping him on the back. “Speaking of which,” I say, pushing him off. “Let’s take a walk—”
    “I gotta get back to Fort Mason,” the kid says. “It’s nearly midnight. The cable cars stop at midnight and I gotta ship out in the morning.”
    “I know, kid, but Friends of Dorothy,” I says. I’m aware all of a sudden that I have strayed somewhat from my mission, and that if the kid goes, I’m going to have to start all over again, although I suspect I have not exactly stumbled onto the mastermind of the diabolical Dorothy’s organization. But still.
    “Look,” says the kid. “This has been swell. Really swell. I really appreciate you, you know, being a friend, but I gotta go. I ain’t never done nothing like this, never met anyone like you. It’s been swell.”
    “Well, you know—” I says, not knowing how to bail this out. That one tooth was definitely loose.
    Suddenly the kid grabs me again, gives me a big hug, then turns and runs off toward the cable-car stop. He’s about a half a block away when he turns and says, “I’m going to go see the Golden Gate Bridge in the morning. Oh-six-hundred. Ain’t

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