Satin Island

Satin Island by Tom McCarthy

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Authors: Tom McCarthy
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Land—whatever you call that part of the world now. I’ve got to go, he said a moment later, and took off; but the thought of him being filled with Middle Eastern orange juice stuck with me for a day or two. Where, before, I’d seen Grecian caves and temples, now my mind’s eye gave me hot, cracked hillsides on which orange groves were planted. Far from presenting an idyllic landscape, these hillsides and these orange groves were dotted with gun emplacements, capped with observation posts from which surrounding villages could be monitored and showered with mortars. Walls, made not of old stones but of ugly modern concrete topped with barbed wire, hemmed these groves in, cutting some of them in two. Beneath them, and beneath the villages, down in valleys that stretched as far as the eye could see in every which direction, oil wells burned, their smoke-plumes blackening the sky—and blackening the orange groves as well as they drifted across these, leaving tarry deposits on trees’ barks, on leaves and on the fruit itself. When that scene came to me, when I pictured all its hatred, all its violence, all its blackness, being injected into Petr, I knew—instinctively and with complete certainty—that he was going to die.
    8.9 The day after I met him was a Saturday. Awaking at home to a free diary and no hangover, I sat down at my desk to plan some kind of outline for the Great Report. It was time, I told myself: time to begin this in earnest. Not the Report per se , but rather its schema, prolegomena, what-have-you. I installed myself at my desk. It was a good desk; it had cost me quite a bit of money. It had an elegant teak body on whose upper surface sat a leather desktop of a dark-blue tint; set in the leather was a large rectangular writing surface with a blotter backing. That Saturday, I cleared the desktop thoroughly and ruthlessly: every object had to go from it; each notebook, stapler, pencil-holder, scrap of paper; the telephone, the clock (especially the clock); rubbers and paperweights—everything. After I’d cleared it I cleaned it, wiping the leather with a cloth doused in a purpose-made detergent that I’d bought at the same time as I got the desk. One day, I’d told myself, I’ll need to clean it properly and thoroughly, transform it into a tabula rasa upon which I might compose a great, momentous work. I’d been right: that day was now. I cleaned it, then I dried it with a tea-towel. It was so clean it almost shone—although the darkness of the leather muffled any sheen, reburied this instead inside itself, which seemed, in turn, to give the desktop more intensity, bigger potential as a launch pad for the task at hand. The smell that rose from it was almost natural, like the smell that comes from lawns and meadows when long grass has just been mown. Sitting at it, I looked out of the window at the sky. This was blue too—clear blue with the odd wisp of cloud. I angledmyself so as to face the largest uninterrupted stretch of sky, then turned so as to align myself exactly with the desktop, so that the borders and perimeters of this ran parallel and perpendicular to those of my gaze. I sat there for a long time, luxuriating in the emptiness of first one space then the other: desktop, sky, desktop. It was definitely time.
    8.10 My window looked out over a rectangular, communal garden within which a pond, also rectangular, was inlaid. Neighbours crossed this garden as they left their flats from time to time. There was a family with two small girls. One of the girls, the younger one, had slipped into the pond a few weeks earlier, between the concrete flagstones that spanned this, and I’d come out of my flat to pull her out. Her parents had brought flowers round the next day. The girl wouldn’t have drowned: the pond wasn’t very deep, and the mother had arrived on the scene just a few seconds after my sub-heroic intervention. Nonetheless, they’d thanked me, borne me floral offerings. The parents and

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