the role of dictator. She seems to enjoy making everyone around her feel insecure.â
Kyall acknowledged Sarahâs words with a grimace. âStill, sheâs shown me nothing but affection.â
âA bond that canât be broken.â Sarah leaned her head back, her expression plainly unhappy.
âIf sheâs ever hurt you, Sarah, sheâd learn very quickly that her loveâher kind of loveâis not enough.â
A curious expression rippled across her face. âYou sayall this, Kyall, but you donât really want to cut your ties with the land. Your love for it has a spiritual dimension. I feel it myself, although Iâm not from an outback dynasty. My father just happened to be your top ringer.â
He gazed at her, so beautiful, so desirable, so maddening, she made his head spin. âYour father knew everything there was to know about shearing. He had the reputation of being a great bloke. You have no reason to look down on your father.â
âWho said I did?â Sarah burst out. âItâs your family and the likes of India Claydon who make judgments like that.â
âSheâs jealous, Sarah,â he said quietly. âWhat can anyone do about jealousy? Itâs in her nature. India didnât get to be top student at school. She didnât go on to collect a medical degree. Iâve noticed that tendency in India. I donât particularly like it. Mitch couldnât be more different.â
Thinking of their friend Mitchell Claydon, Sarahâs face relaxed into a smile. âMitch spent almost as much time with Christine as you and I did together. We seemed to team up very early. You and I. Mitch and Chris. I know Christine cares about Mitchell Claydon to this day, only the struggle to be free of your motherâs domination took her away from him. Just like me. Both of us outcasts.â
âYouâll both return,â Kyall answered somberly. âWould you consider Joeâs proposition? It would bring you back to me.â
Sarah wondered yet again what Ruth McQueen would make of that. âItâs too weighty a decision to be made quickly. It would bring me back to you, certainly. It would also bring me a lot of stress.â
âAs in work?â He picked up on that swiftly. âIf you accepted, Iâd do everything in my power to find anotherdoctor, although as youâd know, itâs not easy when weâre so remote.â
Part of her wanted to answer now. Part of her couldnât. âI canât say just yet, Kyall. Iâm feeling far more vulnerable than Iâd like. Going it aloneâbeing separated from my motherâI had to develop a whole set of barriers or be overwhelmed. Can you understand that?â
He answered decisively. âI understand that, Sarah. What isnât clear to me is why you were ever separated in the first place.â
CHAPTER FIVE
K YALL HAD DECIDED at some point in the evening to raise the subject of Sarahâs taking over from Joe Randall. He expected outright, bitter hostility from his grandmother and mother, a quiet, reasoned response from his father. He loved his father. He only regretted that his father had married into this family. Of course, he wouldnât have been born otherwise, but his father had missed out on a chance at happiness. Or was he finding it with the delicately beautiful Carol Lu, the artist? Kyall didnât have a lot to go on, except the magnetic current he sensed passing between them whenever they met. The last time was at a concert given by the Matheson String Quartet at the Endeavour theater. No mediocre affair. Alex Matheson, strangely afflicted with periods of near-blindness, was a brilliant violinist, who under better circumstances could have had a career on the international concert platform. Three other gifted people of the town made up the quartet. The redoubtable Harriet Crompton, a woman of many talents, on viola; Lottie
Zoë Heller
Virile (Evernight)
Jodi Linton
Tabor Evans
Damian McNicholl
l lp
Catherine Anderson
Anne Emery
Rob Kitchin
Novalee Swan