Red Dot Irreal

Red Dot Irreal by Jason Erik Lundberg

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Authors: Jason Erik Lundberg
Tags: Fiction
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abandoned but for the single street-level ring around each financial building and a smattering of drained corpses, the noon sunlight gleaming off skyscraper glass onto the empty thoroughfares below. Police barricades as far back as Niccol Highway form a secondary security perimeter.

    17. A shellacked MediaCorp television anchor, her mouth open in mid-word, nearly crowded off of the screen by the gigantic inset displaying an image of the link-armed elderly at ORQ and the words: WHO ARE THE 35K? WHAT DO THEY WANT? The static ribbon up top, in bright red letters: A National Day of Emergency . The news crawl at the bottom of the screen displays the time (2:24 p.m.), the Straits Times Index (down over 1,300 points), and the score of the latest Manchester United vs. Arsenal match (2-1).

    18. An army tank squats on the street just outside of ORQ, its cannon barrel aimed directly at the elderly perimeter, the afternoon sun glinting off of its green metal exterior, surrounded on all sides by young National Servicemen called up on reservist duty, covered head to toe in pixelated camo gear, their rifles raised and ready.

    19. The air thick with rifle smoke. Pockmarks dot the neighboring buildings, broken glass litters the concrete sidewalk. Three NSmen lay on the ground, their faces contorted in pain, hands attempting to quell the blood oozing from the holes punched through their bodies by their own ricocheting bullets.

    20. Out of focus, a camouflaged pant leg retreating to a distance behind the tank, a blurred variegation of greens.

    21. Close in on the muzzle flash from the barrel of the tank’s 120-millimeter cannon, the explosion of force a blazing orange mushroom, with a lighter orange line of trajectory extending forward from its middle, reaching, reaching, reaching for the statues in such close proximity.

    22. Stillness. Billowing smoke. What on first glance appears to be a grey sheet of paper drifting to the ground; on closer inspection: a rectangular sliver of concrete.

    23. The tank in retreat, its rear end displayed to the unharmed once-again flesh-and-blood elderly, turned away by non-violent resistance. On the sidewalk and the city street: concrete and rubble and shards of glass, all loosed by the massive concussion of energy.

    24. A line of young protestors beyond the police barricades, none older than thirty, mouths open in defiant yells, fists pumping the air, each holding a man-made placard: THE 35K ARE ALL OUR GRANDPARENTS! ABANDONED BY SOCIETY ≠ NATIONAL THREAT! THE 35K ARE NOT YOUR ENEMY! WHERE’S YOUR FILIAL PIETY NOW?! Unlikely that they would have been granted a permit for this protest, and yet the nearby police officers stand back, unable to join in, but unwilling to disperse.

    25. A MediaCorp news feed, but off-kilter as though the video camera has been bumped, zoomed in on a leg emerging from the rear passenger door of a black Mercedes-Benz limousine, clad in charcoal grey designer pants, the equally expensive shoe polished to a high shine. Recognizable outfitting of the Old Man. The time indicated on the crawl: 6:37 p.m.

    26. The mass of elderly protestors all stares at the Old Man, whose hands are raised in a questioning gesture. His face out of view, his back muscles tense against his ironed white short-sleeved dress shirt, his white hair cropped close to his skull as if just cut earlier in the day. A small irregular oval of perspiration in the middle of his back.

    27. The ORQ perimeter, now unfurled, reaching around to encircle the Old Man, all elderly eyes on their contemporary in age. The Old Man’s head is turned, shouting to someone out of frame, his hand up in a gesture of halt against the barrel of the handgun only just visible.

    28. From above, a double ring of protestors completely pens in the Old Man at its center. Outside the protective paddock, a confusion of security officers, hands to ear-mounted Bluetooth communication, body language indicative of panic.

    29. The wrinkled

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