ten o'clock news had just gone off and I was getting ready for bed. Alton was already asleep."
Just then there was a rumbling outside the house. It sounded like several vehicles arriving at once. When Joanna lanced out the window, however, she saw only two—Jake Hosfield's ATV and a 1980s-era Ford pickup. While she watched, Jake jumped off the ATV, pulled off his helmet, and dashed toward the house. Two men climbed out of the other vehicle. After what looked like a brief conference across the bed of the pickup, one of the two walked away and disappeared into a barnlike structure, while the other—thee driver—limped toward the house.
Sonja Hosfield peeked out the same window. "I'd better go let him know what's what," she said. With that she slipped off her apron and hung it on one peg of a hat rack just to the left of the back door.
Feeling a little like a voyeur, Joanna watched as Sonja darted out the back door and hurried up the path to meet her husband. Tall and angular, Alton Hosfield doffed his cowboy hat and had to lean down to kiss the top of his wife's head. Then, holding hands, the two of them continued on toward the house.
Except for the hearing aids Alton wore in each ear, he was exactly what Joanna would have expected of an Arizona rancher. Hard physical labor meant that there was no fat on his spare, lean body. His features were as craggy and deeply tanned as the rockbound cliffs overlooking the San Pedro. His dusty boots were worn down at the heels, but even after a day out in the field, his threadbare Levi's still showed a hint of the crease some loving hand had ironed into them, while the back hip pocket bore the unmistakable imprint of a round tobacco can. The sleeves of his plaid cowboy shirt—tan with pearlescent snaps—were rolled up almost to the elbows, exposing bare, work-hardened hands and sinewy forearms. The moment he walked info the house, he removed his sweat-stained Resistol hat, revealing a head of hair every bit as red as his son's—although, as Sonja had mentioned, Alton's hairline was definitely receding.
With practiced ease, he tossed the straw hat onto an empty peg next to his wife's apron. Then he came striding across the faded kitchen linoleum with his hand extended. "Sorry to kick up such a fuss around here today, Sheriff Brady," he said in a soft-spoken drawl. "But if somebody doesn't put a stop to Martin Scorsby's nonsense, I will, and I guarantee you, he won't like it."
"Now, Alton," Sonja cautioned. "Please ..."
"Don't you 'Now, Alton' me," Hosfield returned. "I mean what I say. That man and that little Birkinstar-wearing bimbo of his—"
"Birkenstock," Sonja corrected smoothly.
"Whatever you want to call 'em," Alton said, "those two have been a pain in my backside ever since they showed up here. Before that, even. And if Scorsby thinks he can sit over in those trees of his and take shots at my property ..."
"Did Deputy Sandoval take pictures this morning?" Joanna asked.
"Pictures?" Alton Hosfield repeated. "Of my dead cattle? Why would he? Most everybody with a lick of sense can tell a dead cow when he sees one. Why would anybody want to take pictures?"
"If Deputy Sandoval was following proper procedure, he would have," Joanna said. "Photos would have shown exactly how the cows were situated in the field. They would also give us the positions of entrance and exit wounds. With that kind of information, we can begin to develop a sense of trajectory of the bullets. Knowing where the shots came from will help us identify who the shooter is."
"Well," Hosfield conceded, "your deputy may have—taken pictures, that is. I just don't remember."
"What about the pump?"
"When Sandoval got here, I gave him the smashed housing, but I had already replaced it by then. I'm not going to sit around all day with a broken pump while I'm waiting for a cop to decide whether or not he's going to show up. Sometimes they don't, you see. You call and maybe the deputy will turn up that day
Just then there was a rumbling outside the house. It sounded like several vehicles arriving at once. When Joanna lanced out the window, however, she saw only two—Jake Hosfield's ATV and a 1980s-era Ford pickup. While she watched, Jake jumped off the ATV, pulled off his helmet, and dashed toward the house. Two men climbed out of the other vehicle. After what looked like a brief conference across the bed of the pickup, one of the two walked away and disappeared into a barnlike structure, while the other—thee driver—limped toward the house.
Sonja Hosfield peeked out the same window. "I'd better go let him know what's what," she said. With that she slipped off her apron and hung it on one peg of a hat rack just to the left of the back door.
Feeling a little like a voyeur, Joanna watched as Sonja darted out the back door and hurried up the path to meet her husband. Tall and angular, Alton Hosfield doffed his cowboy hat and had to lean down to kiss the top of his wife's head. Then, holding hands, the two of them continued on toward the house.
Except for the hearing aids Alton wore in each ear, he was exactly what Joanna would have expected of an Arizona rancher. Hard physical labor meant that there was no fat on his spare, lean body. His features were as craggy and deeply tanned as the rockbound cliffs overlooking the San Pedro. His dusty boots were worn down at the heels, but even after a day out in the field, his threadbare Levi's still showed a hint of the crease some loving hand had ironed into them, while the back hip pocket bore the unmistakable imprint of a round tobacco can. The sleeves of his plaid cowboy shirt—tan with pearlescent snaps—were rolled up almost to the elbows, exposing bare, work-hardened hands and sinewy forearms. The moment he walked info the house, he removed his sweat-stained Resistol hat, revealing a head of hair every bit as red as his son's—although, as Sonja had mentioned, Alton's hairline was definitely receding.
With practiced ease, he tossed the straw hat onto an empty peg next to his wife's apron. Then he came striding across the faded kitchen linoleum with his hand extended. "Sorry to kick up such a fuss around here today, Sheriff Brady," he said in a soft-spoken drawl. "But if somebody doesn't put a stop to Martin Scorsby's nonsense, I will, and I guarantee you, he won't like it."
"Now, Alton," Sonja cautioned. "Please ..."
"Don't you 'Now, Alton' me," Hosfield returned. "I mean what I say. That man and that little Birkinstar-wearing bimbo of his—"
"Birkenstock," Sonja corrected smoothly.
"Whatever you want to call 'em," Alton said, "those two have been a pain in my backside ever since they showed up here. Before that, even. And if Scorsby thinks he can sit over in those trees of his and take shots at my property ..."
"Did Deputy Sandoval take pictures this morning?" Joanna asked.
"Pictures?" Alton Hosfield repeated. "Of my dead cattle? Why would he? Most everybody with a lick of sense can tell a dead cow when he sees one. Why would anybody want to take pictures?"
"If Deputy Sandoval was following proper procedure, he would have," Joanna said. "Photos would have shown exactly how the cows were situated in the field. They would also give us the positions of entrance and exit wounds. With that kind of information, we can begin to develop a sense of trajectory of the bullets. Knowing where the shots came from will help us identify who the shooter is."
"Well," Hosfield conceded, "your deputy may have—taken pictures, that is. I just don't remember."
"What about the pump?"
"When Sandoval got here, I gave him the smashed housing, but I had already replaced it by then. I'm not going to sit around all day with a broken pump while I'm waiting for a cop to decide whether or not he's going to show up. Sometimes they don't, you see. You call and maybe the deputy will turn up that day
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