Puppet Graveyard by Tim Curran

of dried insect carapaces heaped like barnacles on a ghost ship.
    Kitty’s mouth was dry, her heart was pounding. She started up the steps, dead insects crunching beneath her boots like October leaves. The flashlight shook in her fist.
    Keep going, you have to keep going.
    She breathed in revulsion and exhaled resilience. Her heart was strong and her soul was rigid. But she was scared. The fear was thick and white, knotted in her belly, spreading out and coiling around her chest in thick bands. She could scarcely draw a breath. But this was to be expected, she knew, for fear and dread and irrational terror was the language of this house and the thing that brooded in the attic. She couldn’t give in to it. Those myriad shrunken, embalmed figures dangling in the webs…their sightless eyes watched her like the eyes in antique paintings in old farmhouses. Their driftwood and winter-dead limbs brushed against the top of her head. Their agonized mouths seemed to scream her name.
    Overhead, dangling and swaying from the roof of the stairwell, there were limbs now. Not doll limbs, but dozens and dozens of blue and black corpse limbs…arms and legs, sometimes just hands and feet…all hanging from the webwork above like sausages in a butcher’s window. They were putrescent and bloated, shuddering with the action of pupa and larva within and speckled with millions of buzzing meatflies.
    More games. Just games. Hallucinations. Images projected into your mind. Ignore them.
    Kitty went up through them, all that cold, crawling beef brushing her face and head, cold fingers trailing across the nape of her neck. They were a forest and as she pushed through their marble masses, they began to swing and slap into each other, casting creeping and morbid shadows all around her. Feet that walked into space and great hands that clutched.
    Then Kitty was beyond them and into the attic above which was spun and wreathed and roped together by cobwebs. It was the lair of a funnel web spider decorated with more puppet parts and doll heads which whispered to her. Like the ones downstairs, these were living disembodied things with wiggling fingers and mouths that made mewling, wet sounds.
    Right away, the temperature dropped.
    Kitty saw her breath and felt ice on her face. The threads in her hand were greasy and coiling, set with pink-mouthed suckers that tickled her palms. Yes, she had arrived. A numbness spread from her fingertips to her elbows and then subsided, leaving a maddening tingling just beneath her skin.
    The webs moved around her, brushing her face and slithering over her back and climbing her legs and by the time she realized what was happening, they owned her. A webby mesh covered her face and she clawed it free just in time to see the haunter of the attic in all its multiform madness.
    She screamed. Screamed like she had never screamed before, or, maybe had never allowed herself to. It came up from her guts and echoed out of her anguished soul with volume.
    An abomination came down the network from its high roost.
    It came to embrace her.
    It was a carcass riven with worms, then a thousand spiders mating and then something like a man vomiting a green-flecked infant from his mouth that sprouted a dozen bulb-headed, malformed fetuses.
    Kitty saw what looked like an immense, bloated fetal spider propelling itself towards her on a dozen wooden puppet legs, its underbelly hung with milk-swollen pink teats. It was hairless and cream-white, bulbous and distorted, great holes eaten through it in which vermiform parasites squirmed and coiled. Rising up from what might have been deemed the forward thorax was the upper body of a woman whose head was hung with draping cobweb locks, the face beneath set with bulging eyes of black glass and a suckering oval mouth. It was not one thing, but many things—animal flesh married to doll parts and human anatomy—stitched up into a common whole and the intricate suturing was like lacework spread out in