1994, when a Hamas suicide bomber turned the Number 5 bus into a coffin for twenty-one people. Her mother and two of her sisters were among the dead; Dina was seriously injured and still walked with a slight limp. Upon her recovery, she vowed to defeat the terrorists not with force but with her brain. A human database, she was capable of reciting the time, place, perpetrators, and casualty toll of every act of terrorism committed against Israeli and Western targets. Dina had once told Gabriel that she knew more about the terrorists than they knew about themselves. And Gabriel had believed her.
Next came a man of late middle age named Eli Lavon. Small and disheveled, with wispy gray hair and intelligent brown eyes, Lavon was regarded as the finest street surveillance artist the Office had ever produced. Blessed with a natural anonymity, he appeared to be one of life’s downtrodden. In reality, he was a predator who could follow a highly trained intelligence officer or a hardened terrorist along any street in the world without arousing a flicker of interest. Lavon’s ties to the Office, like Gabriel’s, were now tenuous at best. He still lectured at the Academy—no Office recruit was ever sent into the field without first spending a few hours at Lavon’s feet—but these days, his primary work address was Jerusalem’s Hebrew University, where he taught archaeology. With but a handful of broken pottery, Eli Lavon could unlock the darkest secrets of a Bronze Age village. And given a few strands of relevant intelligence, he could do the same for a terror network.
Yaakov Rossman, a pockmarked veteran agent-runner, appeared next, followed by a pair of all-purpose field hands named Oded and Mordecai. Then came Rimona Stern, a former military intelligence officer who now dealt with issues related to Iran’s disabled nuclear program. A Rubenesque woman with sandstone-colored hair, Rimona also happened to be Shamron’s niece. Gabriel had known her since she was a child—indeed, his fondest memories of Rimona were of a fearless young girl on a kick scooter careening down the steep drive of her famous uncle’s house. On her generous left hip was the faded scar of a wound suffered during a particularly violent spill. Gabriel had applied the field dressing; Gilah had dried Rimona’s tears. Shamron had been far too distraught to offer any assistance. The only member of his family to survive the Holocaust, he could not bear to witness the suffering of loved ones.
A few minutes behind Rimona was Yossi Gavish. A tall, balding figure dressed in corduroy and tweed, Yossi was a top officer in Research, which is how the Office referred to its analytical division. Born in London, he had read classics at All Souls and spoke Hebrew with a pronounced English accent. He had also done a bit of acting—his portrayal of Iago was still recalled with great fondness by the critics in Stratford—and was a gifted cellist as well. Gabriel had yet to exploit Yossi’s musical talents, but his skills as an actor had on more than one occasion proven useful in the field. There was a beachside café in St. Barts where the waitresses thought him a dream and a hotel in Geneva where the concierge had taken a private vow to shoot him on sight.
As usual, Mikhail Abramov arrived last. Lanky and fair, with a fine-boned face and eyes the color of glacial ice, he had immigrated to Israel from Russia as a teenager and joined the Sayeret Matkal, the IDF’s elite special operations unit. Once described as “Gabriel without a conscience,” he had personally assassinated several of the top terror masterminds from Hamas and Palestinian Islamic Jihad. Burdened with two heavy cases filled with electronic gear, he greeted Sarah with an unambiguously frigid kiss. Eli Lavon would later describe it as the frostiest embrace since Shamron, during the halcyon days of the peace process, had been forced to shake the hand of Yasser Arafat.
Known by the code name Barak, the
Next came a man of late middle age named Eli Lavon. Small and disheveled, with wispy gray hair and intelligent brown eyes, Lavon was regarded as the finest street surveillance artist the Office had ever produced. Blessed with a natural anonymity, he appeared to be one of life’s downtrodden. In reality, he was a predator who could follow a highly trained intelligence officer or a hardened terrorist along any street in the world without arousing a flicker of interest. Lavon’s ties to the Office, like Gabriel’s, were now tenuous at best. He still lectured at the Academy—no Office recruit was ever sent into the field without first spending a few hours at Lavon’s feet—but these days, his primary work address was Jerusalem’s Hebrew University, where he taught archaeology. With but a handful of broken pottery, Eli Lavon could unlock the darkest secrets of a Bronze Age village. And given a few strands of relevant intelligence, he could do the same for a terror network.
Yaakov Rossman, a pockmarked veteran agent-runner, appeared next, followed by a pair of all-purpose field hands named Oded and Mordecai. Then came Rimona Stern, a former military intelligence officer who now dealt with issues related to Iran’s disabled nuclear program. A Rubenesque woman with sandstone-colored hair, Rimona also happened to be Shamron’s niece. Gabriel had known her since she was a child—indeed, his fondest memories of Rimona were of a fearless young girl on a kick scooter careening down the steep drive of her famous uncle’s house. On her generous left hip was the faded scar of a wound suffered during a particularly violent spill. Gabriel had applied the field dressing; Gilah had dried Rimona’s tears. Shamron had been far too distraught to offer any assistance. The only member of his family to survive the Holocaust, he could not bear to witness the suffering of loved ones.
A few minutes behind Rimona was Yossi Gavish. A tall, balding figure dressed in corduroy and tweed, Yossi was a top officer in Research, which is how the Office referred to its analytical division. Born in London, he had read classics at All Souls and spoke Hebrew with a pronounced English accent. He had also done a bit of acting—his portrayal of Iago was still recalled with great fondness by the critics in Stratford—and was a gifted cellist as well. Gabriel had yet to exploit Yossi’s musical talents, but his skills as an actor had on more than one occasion proven useful in the field. There was a beachside café in St. Barts where the waitresses thought him a dream and a hotel in Geneva where the concierge had taken a private vow to shoot him on sight.
As usual, Mikhail Abramov arrived last. Lanky and fair, with a fine-boned face and eyes the color of glacial ice, he had immigrated to Israel from Russia as a teenager and joined the Sayeret Matkal, the IDF’s elite special operations unit. Once described as “Gabriel without a conscience,” he had personally assassinated several of the top terror masterminds from Hamas and Palestinian Islamic Jihad. Burdened with two heavy cases filled with electronic gear, he greeted Sarah with an unambiguously frigid kiss. Eli Lavon would later describe it as the frostiest embrace since Shamron, during the halcyon days of the peace process, had been forced to shake the hand of Yasser Arafat.
Known by the code name Barak, the
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