Pericles of Athens
outside the cloak,
     but this man, not long ago, yes, only the other day, in an assembly of the people,
     threw off his cloak and leaped about like a gymnast, half-naked. 20
    Quite apart from its nostalgic tone, this passage shows how much oratorical gestures
     and techniques had changed since the age of Pericles. But even if he praises the eloquence
     of the past, the better to draw attention to the lack of dignity of Timarchus, his
     opponent, Aeschines in no way calls for a return to the conventions of the past that—in
     any case—would no longer have suited the fourth-century audience.
    Pericles thus founded his oratorical successes upon a way of addressing the people
     that was somewhat out of date. All the same, the reason he fascinated his listeners
     so much was not just because he was the last representative of a form of eloquence
     that was on the way out. Far from invariably respecting well-trodden paths, as an
     orator he broke away from the customary codes of behavior, in that he never responded
     with violence to attacks launched against him. Throughout his career, Pericles manifested
     an unrivaled ability to suffer outrageous assaults without striking back. This set
     him apart from his contemporaries and lent a particular solemnity to his words.
    Periclean Imperturbability: An Ambiguous Solemnity
    At the Assembly’s tribune, Pericles was several times confronted by the people’s anger,
     but never betrayed the slightest annoyance. This imperturbability was highlighted
     in 430 B.C., when the Athenians accused him of beingresponsible for the many disasters that had struck them. As Plutarch, following Thucydides,
     points out: “Pericles was moved by no such things, but gently and silently underwent
     the ignominy and the hatred [ tēn adoxian kai tēn epekhtheian ].” 21 Far from being dictated by the circumstances, this imperturbability was a deliberate
     strategy on the part of the Athenian leader, who observed this line of conduct not
     only in the Assembly but also when in the Agora, engaging in the exchanges of daily
     life. Plutarch records a particularly striking episode: “Once, at a time when he had
     been abused and insulted all day long by a certain lewd fellow of the baser sort,
     he endured it all quietly, though it was in the market place, where he had urgent
     business to transact, and towards evening went away homewards unruffled, the fellow
     following along and heaping all manner of contumely upon him. When he was about to
     go indoors, it being now dark, he ordered a servant to take a torch and escort the
     fellow in safety back to his own home.” 22 Rather than react as any citizen normally would, Pericles remained unmoved and refused
     to lose his temper despite repeated insults. This was, to put it mildly, an unusual
     reaction. Faced with such a torrent of insults, the normal reaction would have been
     to respond to the affront by giving as good as he got—a form of negative reciprocity—or
     else to set the matter before the judges, for to insult serving magistrates was behavior
     liable to heavy punishment. 23 Not only did the stratēgos refrain from replying but he chose to respond to the humiliation with a kindness—in
     accordance with a positive form of reciprocity: he had the offender escorted back
     to his home.
    In Plutarch’s account, Pericles thus stands out by reason of his imperturbable behavior,
     at the risk of compromising his honor as a citizen and his dignity as a magistrate. 24 It is tempting to link this phlegmatic attitude with his sculpted effigy, which represents
     him as impassive, parading a serenity untouched by emotion, as if whoever commissioned
     the sculpture (either himself or his relatives) wished to emphasize this particularly
     detached way of behaving and appearing. 25
    This representation of a Pericles of bronze, draped in all his dignity, was, however,
     not devoid of a measure of ambiguity. His opponents suggested that this carefully
    

Similar Books

The Night Dance

Suzanne Weyn

Junkyard Dogs

Craig Johnson

Daniel's Desire

Sherryl Woods