Peony in Love
to my room and change without being seen.
    “Here you are,” Broom said, stepping out of the shadows. “Your mother sent me to look for you.”
    “I was…I had to…” I thought of Willow that first night as she played the role of Spring Fragrance. “I had to use the chamber pot.”
    My cousin smiled knowingly.
    “I’ve been to your room. You weren’t there.”
    Having caught me in a lie, Broom regarded me suspiciously. I watched her smile broaden as her eyes traveled from my face down across my torso to my skirt, my dirty hem, and my soiled shoes. She pasted a bright mask on her face, looped her arm affectionately through mine, and said in a pretty tone, “The opera is nearly finished. I don’t want you to miss the end.”
    I was light-headed enough with my own private happiness to believe she wanted to help me. Whatever hidden strength had surfaced when I allowed myself to go over the balustrade of our Moon-Viewing Pavilion had retreated to a hidden corner deep inside me, because I didn’t break away from Broom and sit down on my cushion at the back of the audience but allowed myself to be led—helplessly, stupidly, but with the ridiculous invincibility that came with the bliss I felt—through the seated women, right past my mother, and on to the front row of cushions, where I was squeezed in between little Ze and my cousin. And because I was seated next to Ze, I found myself once more before the crack in the screen that allowed me to peek out to the stage.
    I looked across the sea of black-haired men until I found my poet, sitting next to my father. After a few minutes, I forced myself to look away from him and to the stage, where the emperor tried to bring the two factions together. Proclamations were read; honors bestowed. There was great rejoicing for the two young lovers—a truly happy ending—and yet nothing had been or would ever be reconciled between Prefect Du and his daughter.
    The men on the other side of the screen jumped to their feet with applause and whoops of appreciation. The women on our side nodded at the truth of this ending.
    As he had on the first night, my father took the stage. He thanked everyone for coming to our meager home for our inadequate production. He thanked the visiting actors and those on our household staff who’d been pulled from their regular duties for the performance.
    “This is a night of love and destiny,” he said. “We have seen how Liniang and Mengmei’s story has ended. And we know how the story of the Weaving Maid and the Cowherd will end later tonight. Now let us have a preview of another love story.”
    Waaa!
He was going to announce something about my marriage. My poet put his head down. He didn’t want to hear this either.
    “Many of you know that I’m fortunate to have as my future son-in-law a good friend,” Baba said. “I have known Wu Ren for so long, he is like a son to me.”
    As my father lifted his arm to point out the man I was to marry, I closed my eyes. Three days ago, I would have followed his gesture to get a glimpse of my future husband, but right now I couldn’t abandon the tender emotions swimming inside me. I wanted to hold on to them a little longer.
    “I’m lucky Ren has such a love of words,” my father went on. “I’m not so lucky when he beats me in chess.”
    The men laughed appreciatively as they were meant to. On our side of the screen, there was silence. I felt stares of disapproval and disdain from the women behind me driving into my back like daggers. I opened my eyes, peered to my right, and saw Ze staring through the crack in the screen, her mouth set in an alarmed
oh.
Then Ze quickly averted her gaze. My husband had to be really ugly, hideous.
    “Many of you are guests tonight and have not met my daughter,” my father continued, “but I also have my whole family here and they’ve known Peony for her entire life.” He addressed my future husband, confiding in front of everyone, “I have no doubt she will

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