Outer Banks

Outer Banks by Russell Banks Page A

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Authors: Russell Banks
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or “public”…? I wish I believed that. I’d give up fighting it, if I thought it was an impossible fight to win. I’d let myself go, either into the past or into the public life, you know, that fantasy of one’s life as a movie, or a TV series, or maybe a Time magazine cover story…
    â€”Which appeals to you more?
    â€”I don’t know, to be honest about it. Today, seeing you, here, on an early spring morning, with all this hushed, tasteful luxury around us, I think I prefer the past. But any other time, when the associations aren’t so strong and aren’t especially pleasant anyhow, well, then I prefer the other.
    â€”But never this, this life now, here, the real one…?
    â€”No, I suppose not. But I can’t imagine it any different from the way it is—I can only fantasy a different life, my old life, with you, or as someone else altogether, someone created by the public, as a kind of community effort, you know…? That’s how bitter I am.
    (Both Egress and Naomi Ruth break into nervous laughter.)
    â€”Well, I don’t suppose we should have breakfast together, do you? The pain…
    â€”We might be seen by a columnist, you know. The Green Tulip Room is not exactly your cozy, little, out-of-the-way café. We don’t need any more gossip than we’ve already endured, do we, now? As it is, by the time you get back to your apartment, or wherever you’re living now, you’ll flip on the radio or TV, only to hear that Egress and Naomi Ruth “accidentally” met in the lobby of the Plaza outside the Green Tulip Room, spoke quietly together for a few moments, and then went their separate ways, etc. Where are you living now, incidentally? In the city?
    â€”Yes. As a matter of fact, I’ve been staying right here at the Plaza—all winter.
    â€”Amazing.
    â€”Yes.
    â€”Yes, well, good-bye, now… It’s been … odd.
    â€” Hasn’t it! But pleasant, too. We’ll have to do it again, sometime…
    â€”Yes. Well, good-bye.
    â€”Good-bye.
    â€”Good-bye.
    â€”Yes. ’Bye.
    â€”’Bye.
    â€”So long.
    â€” Ciao.
    â€” Ciao.
    â€”Tra.
    â€”La.
    7.
    (A T THE P ARTY )
    Â 
    They spotted each other at the same instant on opposite sides of the crowded, smoke-draped room and made their respective ways through the crowd, holding their cocktail glasses over their heads so as not to spill, excusing themselves with careful graciousness as they stepped on toes, crunched corsages, bumped breasts, kicked canes, until they finally were together, breathless, in the center of the room, light peck on the cheek, sip from the drink as eyes appraise each other’s bodies, faces, clothes, cigarettes lit, puffing, smiling nod to acquaintance nearby, appreciative and only slightly critical analysis of the posh apartment’s décor, and, at last,
    â€”Well, I didn’t expect to run into you here! Naomi Ruth said in a hard but gay voice.
    â€”And I didn’t expect to run into you here ! Egress countered.
    â€”Jesus, Egress, we can’t seem to say anything new to one another, can we?
    â€”Not at this level, m’love. There’s lots we could say if we weren’t so obsessively intent on discussing our failed marriage every time we happened to meet.
    â€”I know, she said sadly.
    â€”Too bad we can’t fuck, he said.—By God, then we’d have something new to talk about!
    â€”Yes.
    â€”I know.
    â€”Yes.
    â€”Um. Well, it’s been “real,” as they say…
    â€”Yes. Did you come alone? she asked him.
    â€”Oh, no, no, no. No, I came with a “friend.”
    â€”Yes, she said, believing him.—The dancer. The young Russian girl. I remember.
    â€”You alone? he queried idly.
    â€”No, no. No, I’m not. Well, good-bye, Egress, she said hurriedly, and started to pull away from the center of the room.
    â€”Good-bye! he called after her.
    A

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