unforgettable,
unmentionable,
and broke out again like cattle
through bushes, wet and raised,
only yards from the house.
III
Everywhere being nowhere,
who can prove
one place more than another?
We come back emptied,
to nourish and resist
the words of coming to rest:
birthplace, roofbeam, whitewash,
flagstone, hearth,
like unstacked iron weights
afloat among galaxies.
Still, was it thirty years ago
I read until first light
for the first time, to finish
The Return of the Native?
The corncrake in the aftergrass
verified himself, and I heard
roosters and dogs, the very same
as if he had written them.
Changes
As you came with me in silence
to the pump in the long grass
I heard much that you could not hear:
the bite of the spade that sank it,
the slithering and grumble
as the mason mixed his mortar,
and women coming with white buckets
like flashes on their ruffled wings.
The cast-iron rims of the lid
clinked as I uncovered it,
something stirred in its mouth.
I had a bird’s eye view of a bird,
finch-green, speckly white,
nesting on dry leaves, flattened, still,
suffering the light.
So I roofed the citadel
as gently as I could, and told you
and you gently unroofed it
but where was the bird now?
There was a single egg, pebbly white,
and in the rusted bend of the spout
tail feathers splayed and sat tight.
So tender, I said, ‘Remember this.
It will be good for you to retrace this path
when you have grown away and stand at last
at the very centre of the empty city.’
A Bat on the Road
A batlike soul waking to consciousness of itself in darkness and secrecy and loneliness.
You would hoist an old hat on the tines of a fork
and trawl the mouth of the bridge for the slight
bat-thump and flutter. Skinny downy webs,
babynails clawing the sweatband … But don’t
bring it down, don’t break its flight again,
don’t deny it; this time let it go free.
Follow its bat-flap under the stone bridge,
under the Midland and Scottish Railway
and lose it there in the dark.
Next thing it shadows moonslicked laurels
or skims the lapped net on a tennis court.
Next thing it’s ahead of you in the road.
What are you after? You keep swerving off,
flying blind over ashpits and netting wire;
invited by the brush of a word like peignoir,
rustles and glimpses, shot silk, the stealth of floods
So close to me I could hear her breathing
and there by the lighted window behind trees
it hangs in creepers matting the brickwork
and now it’s a wet leaf blowing in the drive,
now soft-deckled, shadow-convolvulus
by the White Gates. Who would have thought it? At the White Gates
She let them do whatever they liked. Cling there
as long as you want. There is nothing to hide.
A Hazel Stick for Catherine Ann
The living mother-of-pearl of a salmon
just out of the water
is gone just like that, but your stick
is kept salmon-silver.
Seasoned and bendy,
it convinces the hand
that
Charles Todd
Carlos Fuentes
Lori Sjoberg
Kristin Elizabeth Clark
Penny Dixon
Inez Kelley
John Cooper
Stephanie Julian
Alyssa Wong
Niecey Roy