Tehran, telling them to
get off their butts; and he's going to write a personal note to Vance about
Paul and Bill."
"Good."
"We also called Admiral Moorer. He's up to speed on this whole thing
because we consulted him about the passport problem. Moorer's going to talk
to Ardeshir Zahedi. Now, Zahedi is not just the Iranian Ambassador in
Washington but also the Shah's brother-in-law, and he's now back in
Iran-running the country, some say. Moorer will ask Zahedi to vouch for
Paul and Bill. Right now we're drafting a cable for Zahedi to send to the
Ministry of Justice."
"Who's drafting it?"
"Tom Luce."
"Good." Perot summed up: "We've got the Secretary of State, the head of the
Iran Desk, the Embassy, and the Iranian
ON WINGS OF EAGLES 67
Ambassador all working on the case. That's good. Now let's talk about what
else we can do."
T.J. said: "Tom Luce and Tom Walter have an appointment with Admiral Moorer
in Washington tomorrow. Moorer also suggested we call Richard Helms-he used
to be Ambassador to Iran after he quit the CIA."
"I'll call Helms," Perot said. "And I'll call Al Haig and Henry Kissinger.
I want you two to concentrate on getting all our people out of Iran."
Gayden said: "Ross, I'm not sure that's necessary-"
"I don't want a discussion, Bill," said Perot. "Let's get it done. Now,
Lloyd Briggs has to stay there and deal with the problem-he's the boss,
with Paul and Bill in jail. Everyone else comes home."
"You can't make them come home if they don't want to," Gayden said.
"Who'll want to stay?"
"Rich Gallagher. His wife-"
"I know. Okay, Briggs and Gallagher stay. Nobody else." Perot stood up.
"I'll get started on those calls."
He took the elevator to the seventh floor and walked through his
secretary's office. Sally Walther was at her desk. She had been with him
for years, and had been involved in the prisonersof-war campaign and the
San Francisco party. (She had come back from that weekend with a Son Tay
Raider in tow, and Captain Udo Walther was now her husband.) Perot said to
her: "Call Henry Kissinger, Alexander Haig, and Richard Helms."
He went through to his own office and sat at his desk. The office, with its
paneled walls, costly carpet, and shelves of antiquarian books, looked more
like a Victorian library in an English country house. He was surrounded by
souvenirs and his favorite art. For the house Margot bought Impressionist
paintings, but in his office Perot preferred American art: Norman Rockwell
originals and the Wild West bronzes of Frederic Remington. Through the
window he could see the slopes of the old golf course.
Perot did not know where Henry Kissinger might be spending the holidays: it
could take Sally a while to find him. There was time to think about what to
say. Kissinger was not a close friend. It would need all his salesmanship
to grab Kissinger's attention and, in the space of a short phone call, win
his sympathy.
68 Ken Follett
The phone on his desk buzzed, and Sally called: "Henry Kissinger for you."
Perot picked it up. "Ross Perot."
"I have Henry Kissinger for you."
Perot waited.
Kissinger had once been called the most powerful man in the world. He knew
the Shah personally. But how well would he remember Ross Perot? The
prisoners-of-war campaign had been big, but Kissinger's projects had been
bigger: peace in the Middle East, rapprochement between the U.S. and China,
the ending of the Vietnam War ...
"Kissinger here." It was the familiar deep voice, its accent a curious
mixture of American vowels and German consonants.
"Dr.
Sherwood Smith
Peter Kocan
Alan Cook
Allan Topol
Pamela Samuels Young
Reshonda Tate Billingsley
Isaac Crowe
Cheryl Holt
Unknown Author
Angela Andrew;Swan Sue;Farley Bentley