he says, extending a well-muscled arm in my direction. âMeganâs told me so much about you.â
I hold my hummus-encrusted hands up in an apologetic wave. âIâm pretty slimed. You might not want to risk it.â
Also, Iâm profoundly aware of my breasts bobbing against the slack fabric of my bikini top and the breeze blowing on my girl parts through my pajama pants.
âThatâs ridiculous,â he says, pulling me into a bear hug.
I really should enjoy this more, but all I can think about is my vast acreage of sweaty skin pressed against his body, which even through his goofy shirt feels as cool and hard as a granite countertop. When I raise my eyebrows at Megan over his shoulder, she just shrugs, like
Who, me?
and plunges two fingers into the vat of hummus on the countertop, swirling some into her mouth with a flourish.
I disengage from JJâs hug and cant my body away from his view. I mean, I try to practice a modicum of healthy body acceptance, but there are limits. Iâm standing in front of Michelangeloâs
David
wearing a clown nose and a fat suit.
Megan makes a little humming noise of food enjoyment. âBoof, are you kidding me? Is there crack in this?â
She scoops again, then extends her hand toward JJ. He opens his mouth like an agreeable baby bird to take the proffered mouthful from her outstretched fingers, which she immediately puts back into her own mouth.
They stand there for a moment in a little porny hummus bubble.
I flee to my bedroom and start throwing on layers of clothing. I mean, I know heâs here with Megan and all, but I watched the hell out of every single episode of his sitcom, and now heâs in my fucking kitchen.
A minute later, Megan slides into my room and shuts the door behind her, flinging herself against it dramatically and contorting her face into a silent scream. Sheâs an actress. She pulls it off.
âThis looks serious, Boof,â I say, throwing a knee-length batwing T-shirt dress with a ripped neckline over leggings and a tank top. âHow did you guys even meet?â
Iâve seen the cast list for Meganâs pilot. If JJ Kelly were on it, believe me, I would have noticed.
âHe did a cameo.â Megan peers into my mirror to inspect what looks like a carpet burn on her left elbow. âThe director is a friend of his momâs. I wasnât even supposed to be on set but I left my journal in my trailer, and I didnât trust a PA to bring it back without looking in it.â
My laserlike focus pinpoints the most important question. âAm I in your journal?â
âWhole chapters.â She piles her hair on top of her head and looks at me via my reflection in the mirror. âIf I hadnât forgotten my journal, Iâd never have met him. Meant to be, right?â
Megan knows I donât believe in âmeant to be.â Meant to be implies thereâs a reason for every fucked-up thing thatâs ever happenedânot just to me, but to Donna, to Gloria, telescoping all the way out to the world in general, Bosnia, the Gulf War . . . Come on. Everything most decidedly does
not
happen for a reason. And Megan knows that, which is why she loves to torment me about it.
âYeah,â I say, deadpan. âItâs fate. Like that hickey.â
âItâs not a hickey.â Megan raises a self-conscious hand to her neck, then points at the door and stage-whispers: â
JJ Kelly!
â
I laugh. Even celebrities are awed by celebrities. Although, granted, Megan is C-list, at best, and JJ is on the cusp of A, even if he hasnât been all that visible lately.
Iâm not going to pretend Iâm not intimately acquainted with his résumé. He played the handicapped-yet-wise son in a dysfunctional oil family before the advent of competitive reality shows and acronymed cop shows. Then he had an awkward phase, which is where most child actors become
Alan Gratz
Jane Wenham-Jones
Jeremy Laszlo
Sally Bradley
Jan Freed
Holly Bailey
Ray Garton
Philip Wylie
Elisabeth Beresford
Leif Davidsen