bad luck.
But as he walked out onto Broadway, Arvo couldn’t help but wonder. The body had been placed where someone would have the shock of finding it, that was for certain. The killer obviously had a theatrical flair and needed an audience, if only of one. What Arvo had to ask himself was why he had selected that particular stretch of beach, where Sarah Broughton went for her morning run.
12
Sarah lay half-asleep listening to the seagulls screaming and squawking outside her window. At first, she thought she was still in her own bedroom back at the beach house. Soon she would wake up and the bad dream would be over. When she opened her eyes, though, she felt a momentary panic. Everything was different.
This room was smaller, for a start, and a thin white radiator under the drawn curtains infused the air with what little warmth it possessed. The tip of Sarah’s nose felt cold in a way it never had in Los Angeles. In the dim light, she could make out cream wallpaper patterned with poppies or red roses, matching the heavy duvet she pulled up to her chin. Her pillow smelled of lavender. Beyond the noise the gulls made, she could hear the sea pounding the wall.
Then she remembered: she was at the family cottage in Robin Hood’s Bay. It stood at the bottom of the hill, on a row to the left of the main street, and looked out right over the North Sea. That was why her father had wanted it. In clement weather, Sarah knew, Arthur Bolton liked nothing better than to sit in his wheelchair at the bottom of the garden and look out to sea. She fancied that the open horizon somehow helped make up for the years he had spent in the dark, claustrophobic coalmines.
Everything seemed unfamiliar to Sarah because she had never slept in this room before. The last time she had visited, the two adjacent cottages had not yet been knocked into one and renovated. Though she couldn’t remember the visit at all clearly, she had probably slept downstairs on the sofa-bed, stupefied with Quaaludes and cognac.
So far, she hadn’t seen either her father or Cathy and Jason. They hadn’t known what time Paula and Sarah would get back from the airport, so they had left a note saying they’d gone to visit a neighbour and wouldn’t be long.
Sarah had felt so tired that Paula had packed her off to bed immediately with a cup of tea. It was still there on the bedside table, only half drunk. Sarah slid her hand out and touched it. Cold. She huddled under the duvet again and closed her eyes.
Even though she now knew where she was, Sarah still felt disoriented. Too restless to go back to sleep, she turned over and stretched, arching so her fingers scraped the wall above her. That felt better.
She pulled back the sheets and went to open the curtains. Outside, it was getting dark. The rain had stopped and the sky looked like a dirty dishrag slashed with charcoal. The slate-coloured sea sloshed heavily against the rough stone wall at the bottom of the garden. It was a sea view, all right, but light years away from the one she was used to, where bright sun bleached the vanishing point of water and sky.
Sarah turned the bedroom light on and took stock of her surroundings. Everything was fresh and clean, of course; that would be Paula’s doing. There was even the old framed print of Atkinson Grimshaw’s Park Row, Leeds 1882 from the old house in Barnsley hanging on the wall opposite her bed. Paula knew Sarah had always loved it for its eerie moon and sky and the cobbles and tramlines all wet and shiny after rain. She must have put it there specially.
In the small bookcase beside the wardrobe were Sarah’s old books. She hadn’t looked at them for years and hadn’t even known they had survived the move from Barnsley: childhood favourites like Black Beauty and The Secret Garden; Enid Blyton, mostly the Famous Five and the Secret Seven; some girls’-school and nurse stories; and one or two Mills and Boon romances.
Then came the Romantic poetry of her
But as he walked out onto Broadway, Arvo couldn’t help but wonder. The body had been placed where someone would have the shock of finding it, that was for certain. The killer obviously had a theatrical flair and needed an audience, if only of one. What Arvo had to ask himself was why he had selected that particular stretch of beach, where Sarah Broughton went for her morning run.
12
Sarah lay half-asleep listening to the seagulls screaming and squawking outside her window. At first, she thought she was still in her own bedroom back at the beach house. Soon she would wake up and the bad dream would be over. When she opened her eyes, though, she felt a momentary panic. Everything was different.
This room was smaller, for a start, and a thin white radiator under the drawn curtains infused the air with what little warmth it possessed. The tip of Sarah’s nose felt cold in a way it never had in Los Angeles. In the dim light, she could make out cream wallpaper patterned with poppies or red roses, matching the heavy duvet she pulled up to her chin. Her pillow smelled of lavender. Beyond the noise the gulls made, she could hear the sea pounding the wall.
Then she remembered: she was at the family cottage in Robin Hood’s Bay. It stood at the bottom of the hill, on a row to the left of the main street, and looked out right over the North Sea. That was why her father had wanted it. In clement weather, Sarah knew, Arthur Bolton liked nothing better than to sit in his wheelchair at the bottom of the garden and look out to sea. She fancied that the open horizon somehow helped make up for the years he had spent in the dark, claustrophobic coalmines.
Everything seemed unfamiliar to Sarah because she had never slept in this room before. The last time she had visited, the two adjacent cottages had not yet been knocked into one and renovated. Though she couldn’t remember the visit at all clearly, she had probably slept downstairs on the sofa-bed, stupefied with Quaaludes and cognac.
So far, she hadn’t seen either her father or Cathy and Jason. They hadn’t known what time Paula and Sarah would get back from the airport, so they had left a note saying they’d gone to visit a neighbour and wouldn’t be long.
Sarah had felt so tired that Paula had packed her off to bed immediately with a cup of tea. It was still there on the bedside table, only half drunk. Sarah slid her hand out and touched it. Cold. She huddled under the duvet again and closed her eyes.
Even though she now knew where she was, Sarah still felt disoriented. Too restless to go back to sleep, she turned over and stretched, arching so her fingers scraped the wall above her. That felt better.
She pulled back the sheets and went to open the curtains. Outside, it was getting dark. The rain had stopped and the sky looked like a dirty dishrag slashed with charcoal. The slate-coloured sea sloshed heavily against the rough stone wall at the bottom of the garden. It was a sea view, all right, but light years away from the one she was used to, where bright sun bleached the vanishing point of water and sky.
Sarah turned the bedroom light on and took stock of her surroundings. Everything was fresh and clean, of course; that would be Paula’s doing. There was even the old framed print of Atkinson Grimshaw’s Park Row, Leeds 1882 from the old house in Barnsley hanging on the wall opposite her bed. Paula knew Sarah had always loved it for its eerie moon and sky and the cobbles and tramlines all wet and shiny after rain. She must have put it there specially.
In the small bookcase beside the wardrobe were Sarah’s old books. She hadn’t looked at them for years and hadn’t even known they had survived the move from Barnsley: childhood favourites like Black Beauty and The Secret Garden; Enid Blyton, mostly the Famous Five and the Secret Seven; some girls’-school and nurse stories; and one or two Mills and Boon romances.
Then came the Romantic poetry of her
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