Nausea

Nausea by Jean-Paul Sartre Page B

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Authors: Jean-Paul Sartre
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leads to the Jetty Promenade.
    The sky was pale blue: a few wisps of smoke, and from time to time, a fleeting cloud passed in front of the sun. In the distance I could see the white cement balustrade which runs along the Jetty Promenade; the sea glittered through the interstices. The family turns right on the Rue de l'Aumonier-Hilaire which climbs up the Coteau Vert. I saw them mount slowly, making three black stains against the sparkling asphalt. I turned left and joined the crowd streaming towards the sea.
    There was more of a mixture than in the morning. It seemed as though all these men no longer had strength to sustain this fine social hierarchy they were so proud of before luncheon. Businessmen and officials walked side by side; they let themselves be elbowed, even jostled out of the way by shabby employees. Aristocrats, elite, and professional groups had melted into the warm crowd. Only scattered men were left who were not representative.
    A puddle of light in the distanceùthe sea at low tide. Only a few reefs broke the clear surface. Fishing smacks lay on the sand not far from sticky blocks of stone which had been thrown pell-mell at the foot of the jetty to protect it from the waves, and through the interstices the sea rumbled. At the entrance to the outer harbour, against the sun-bleached sky, a dredge de-
    51fined its shadow. Every evening until midnight it howls and groans and makes the devil of a noise. But on Sunday the workers are strolling over the land, there is only a watchman on board: there is silence.
    The sun was clear and diaphanous like white wine. Its light barely touched the moving figures, gave them no shadow, no relief: faces and hands made spots of pale gold. All these men in topcoats seemed to float idly a few inches above the ground. From time to time the wind cast shadows against us which trembled like water; faces were blotted out for an instant, chalky white.
    It was Sunday; massed between the balustrade and the gates of residents' chalets, the crowd dispersed slowly, forming itself into a thousand rivulets behind the "Grand Hotel de la Com-pagnie Transatlantique." And children! Children in carriages, children in arms, held by the hand, or walking by twos and threes, in front of their parents, with a stiff and formal look. I had seen all these faces a little while before, almost triumphant in the youth of a Sunday morning. Now, dripping with sunlight, they expressed nothing more than calm, relaxation and a sort of obstinacy.
    Little movement: there was still a little hat-raising here and there, but without the expansiveness, the nervous gaiety of the morning. The people all let themselves lean back a little, head high, looking into the distance, abandoned to the wind which swept them and swelled out their coats. From time to time, a short laugh, quickly stifled, the call of a mother, Jeannot, Jeannot, come here. And then silence. A faint aroma of pale tobacco: the commercial travellers are smoking it. Salammbo, Aicha; Sunday cigarettes. I thought I could detect sadness on some of the more relaxed faces: but no, these people were neither sad nor gay: they were at rest. Their wide-open, staring eyes passively reflected sea and sky. They would soon go back, drink a cup of family tea together round the dining-room table. For the moment they wanted to live with the least expenditure, economize words, gestures, thoughts, float: they had only one day in which to smooth out their wrinkles, their crow's feet, the bitter lines made by a hard week's work. One day only. They felt the minutes flowing between their fingers; would they have time to store up enough youth to start anew on Monday morning1? They filled their lungs because sea air vivifies: only their breathing, deep and regular as that of sleepers, still testified that they were alive. I walked
    stealthily, I didn't know what to do with my hard, vigorous body in the midst of this tragic, relaxed crowd.
    The sea was now the colour of slate; it

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