of suffocating embarrassment.
âThis is hard,â she tells him.
âYouâre right.â
âHarder than I ever dreamed it would be.â
âYeah? For me too.â
Unable to bear looking at her any longer, Sonny seeks comfort in the familiarity of their surroundings: the old neon sign at Tujagueâs Restaurant, a fire-eater on the sidewalk, sightseeing mules wearing straw hats crowned with plastic flowers. Lifting a hand, he attracts the attention of a busboy. âIce water, please.â
âYou gonna be all right?â asks Juliet.
âI guess Iâm hot.â
He wishes he were still at the fence, alone in the dark, watching the trees blow in the sky. Itâs too hard loving anyone. Too hard having to look at them again.
âYou know what just came to me?â Juliet says. âGive us each a puka shell necklace and put us in platform shoes and polyester and itâd be like old times.â
âWas that 1971? I thought those things came later.â
She inhales cigarette smoke, then noisily blows it out. âYeah, maybe youâre right.â
Their order arrives and Juliet folds one of the beignets and dunks it in the coffee and eats with her head tilted close to the marble-top table, her hair dragging the surface and picking up traces of confectionersâ sugar. âIâd nearly forgotten,â she says with a satisfied groan.
âNot bad, huh?â
She holds up the beignet, what remains of it. âThis little piece of fried dough is the most incredible thing Iâve ever put in my mouth.â
Against his will a smile comes to Sonnyâs face. He knows exactly what sheâs getting at. âI can place another order,â he says.
Juliet shakes her head, her mouth still white with sugar, cheeks fat and lumpy. âNo. Iâd better save room for the oysters.â
âOh? Are you having oysters too?â
âWe both are,â she says. âOysters at Acme then a Lucky Dog on Bourbon Street then hurricanes in the courtyard at Pat OâBrienâs. After that weâll stop by the little Takee Outee stand for egg rolls and beef-on-a-stick.â
âIâm not sure the Takee Outee is even there anymore, Julie. You might want to consider something else.â
âFine. Then Iâll just have you.â
A surge of heat inflames Sonnyâs face. He resists an urge to jump to his feet and topple the table over and storm away. âYouâre being a little presumptuous, arenât you? Forgive me for bringing up anything unpleasant, Julie, but you must take me for a fool. I saw one of your movies. Is that what you call them, by the way? Are they movies?â
Juliet puts the half-eaten beignet back down on her plate. âYouâre going to hurt my feelings, arenât you? Yes, I think you are.â
âYouâve got some explaining to do, Julie. You canât just waltz back home and pick me up for beignets and not expect to answer questions about where youâve been for the last fifteen years.â
âThereâs a picture in my head, Sonny. A picture of Mama sticking a cassette in the VCR, returning to her chair and punching the Play button on her remote control. Does that explain it?â
Sonny stares into her eyes but he canât tell whether she means it. âThatâs pretty damned sick. I hope to God youâre not serious.â
She wets the tip of her finger and dunks it in the drifts of sugar on her plate. When she brings the finger up to her mouth it leaves a mark on her upper lip. âThere werenât but a handful of movies,â she says, âall of them for the same production company. It was such a bush-league outfit I never really thought anyone would see them. Before agreeing to appear on camera, I signed a contract saying that I work with one actor only, and that was my boyfriendânow my ex-boyfriend, of course.â Juliet nods to emphasize how
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