becomes a museum. Objects arenât banks, law firms, hospitals, courthouses, shopping centers, apartment buildings, they are huge sprawling sculptures of marble limestone iron steel and glass, without purpose or use, just huge beautiful objects.
When I start to see other people, as the eyes of the city start to open, I leave, walk out to the lake, start heading north. It is always colder by the lake. The wind is always stronger. The cold shakes me and the wind stings my face. I walk until I find a bench and I sit the bench is always cold. I stare across the frozen expanse of ice and encased debris, sticks, logs, cans, there is a football opposite a beach, a lifejacket opposite a marina. I watch as thin girders of blue light start glowing, as the light turns yellow, pink, orange, as it spreads across the horizon. The sun appears, slowly rising, an edge, quarter, half circle. It becomes full and red, envelopes the sky, dominates it. It makes the monuments of this city, of any city every city, seem small and insignificant. It makes me feel small and insignificant. Makes me forget the past, dismiss the future. Makes my problems disappear, feel like nothing nothing nothing.
When I hear cars on the highway behind me I stand walk home. As the normal day begins, my day ends.
I lie down in my apartment.
Sometimes I sleep.
Sometimes not.
I lie there.
Alone.
Â
I t is eight A . M . As I walk toward my building, I see a white Mercedes sitting at the curb. I enter the building, the door to my apartment is open. I step inside, see Leonard and Snapper standing in front of my refrigerator. The refrigerator door is open and there are brown paper bags on the floor.
Leonard.
They turn around.
My son, my son.
Leonard steps toward me.
How are you?
He hugs me.
Iâm okay. What are you doing here?
Filling your fridge.
You came here to fill my fridge?
No, but when we arrived, we saw it was empty.
You gotta stop breaking in, Leonard.
Get a better lock and weâll stop breaking in. The lock you got is a fucking joke.
Snapper speaks.
Iâm the one who actually does it, Kid, and itâs real easy. Youâre lucky you ainât been robbed.
Leonard laughs.
Look at this place. Who would rob him? Heâs got nothing to steal.
I step toward the refrigerator.
What are you putting in there?
Snapper speaks.
We got shit from all five food groups.
Leonard speaks.
Fruits, vegetables, proteins, grains and dairys.
Snapper speaks.
We got them all.
I laugh.
Itâs dairy, not dairys.
I know, but itâs funnier saying dairys. Say it.
Dairys.
I laugh.
Told ya. Dairys is funnier.
I laugh again.
Thank you. For all five food groups.
And thatâs not all.
Leonard opens the cabinets. Theyâre filled with cans of soup, boxes of rice and boxes of pasta, jars of tomato sauce.
Snapper speaks.
I got something special for you in there.
He steps over, pulls down a box.
Rice-A-Roni. The motherfucking San Francisco treat.
I laugh.
Thanks.
Leonard speaks.
Youâre still too skinny, my son. If youâre gonna be a doorman at a bar youâre gonna need to gain some weight. We drove by last night and saw you standing out there and you do not look particularly menacing.
You drove by to see me?
We did.
Why?
Thatâs why weâre here.
To talk to me about my job?
Yup.
What about my job?
Letâs go down to the hotel, get some breakfast. Weâll talk down there.
I need some sleep.
Then get some sleep, come down for lunch.
What time?
One?
Okay.
Leonard turns to Snapper.
You finished?
Yeah. Letâs go. He needs some sleep.
Okay.
Leonard turns to me.
See you at one.
Snapper speaks.
See ya, Kid.
I speak.
Thanks for the food.
Leonard speaks.
Eat some of it. Right now. Get fat.
Snapper speaks.
Yeah, get fat.
I laugh. Bye.
They walk out. I lie down, sleep, wake-up, take a shower. I am confident now I take the El train downtown, walk to the hotel from the train. I ride
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