Money to Burn

Money to Burn by Ricardo Piglia

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Authors: Ricardo Piglia
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the city.
    But the Kid, in contrast (and he himself said as much), felt sane and safe with this girl, as if there were no possible danger in being around her, he only had to let himself be carried along by her for a while, far from the Blond Gaucho, the twin, and well away from the Crow, just for a while, like a normal sort of guy.
    Meanwhile destiny had begun preparing its drama, weaving its intrigue, knotting off the last piece of wool (this was the youth's description when he wrote up the crime page for El Mundo ), tying up all the loose threads of what those ancient Greeks were talking about when they said muthos.
    'I've got a place near here. Some of the boys in the cabaret lend it to me, and they're never around,' she told him.
    The flat had two bedrooms and a lounge and was in utter chaos: unwashed dishes piled high in the kitchen, leftover dope and food dropped on the floor, the girl's clothes hanging out of an open suitcase. There were two beds in one room, and a sofa and a mattress lying on a board on the floor of the other.
    'A woman comes and cleans, but only on Mondays.'
    'Who uses the place? It's a tip,' said the Kid.
    'It belongs to some friends from the club where I work, I've already told you that. They let me use it during the week and on Saturday nights I go back to the hostel.'
    The Kid took a turn around the pad, looked through the windows that gave on to an inner courtyard, at the passage that gave on to a staircase.
    'And upstairs, what's there?'
    'Another apartment and a flat roof.' She searched behind the bed and came out with a 45 r.p.m. record. 'Do you happen to like Head and Body ... '
    'What are you, telepathic? ... Of course I like them, better than the Rolling…'
    'That's it,' she said. 'They're fab, brilliant.'
    'When I was a child I was clairvoyant,' the Kid chuckled to himself. 'But I had a problem and it cost me my psychic power.'
    She looked at him, amused, convinced the guy was having her on.
    'An accident?'
    'Well, not me exactly, some friends who were travelling with me in the car began to mess about. We were all drunk - I used to drink gin in those days ... I ended up inside. And I stopped seeing what I'd seen as a child.'
    'Drinking is rough, I prefer hash,' the girl replied and perched on the arm of a chair to roll a marijuana joint. She looked like a hippie, the Kid suddenly noticed. A Uruguayan hippie, with those long clothes and her little pigtails, and she also worked in a cabaret, that was too much.
    'For example, as a boy I saw my Uncle Federico who'd died two years earlier and talked to him too.'
    She looked seriously and attentively at him, preparing the joint with deft movements. He told her the story when they began to smoke, because it was like talking about a period of life he'd lost, he'd never spoken to anybody when he was young, from the earliest times to the dead times in which he'd begun repeatedly getting locked up.
    'My Uncle Federico was a great guy, who went under two or three times, but he always came up again ahead. He lived in Tandil, and I'd go and visit and stay over with him. He had a garage, and he fixed Kaiser cars, he did well out of it, but then one afternoon his son was struck by an explosion in the fusion welding, a really stupid accident, as there was an exposed cable which short-circuited, and my uncle ended up watching his son die. From that moment on, my uncle let himself go, didn't want to see anyone, spent the entire day stretched out on his bed with the Venetian blinds down, smoking and drinking mate {11} and pondering. He emptied out his mate on to some newspapers in the flat, and in the end there was a sort of green island of dried herbs in the middle of the bedroom, and he wouldn't let anyone come in, not even to open the curtains,' or so the Kid related, according to the girl some time later, 'and just kept saying that he'd get up the next day. I went to visit him one afternoon and he was still there, lying in bed with his face to the wall,

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