Milani costume. I squinted at myself in the mirror, too. But not for very long.
And then I called Joyce. She must have been sitting on top of the phone because she picked it up before the first ring was finished.
I said, “All right. I’m in.”
“Of course,” she said. “Because there’s no way out.” I called Murray’s office at nine o’clock the next evening. There was no answer. I let it ring long enough to make sure that no one had stuck around. Then I drove to the Rand Building on the double. I followed the established routine—I took the elevator to the seventeenth floor and walked the rest of the way. I let myself into his office, thumbed through the Yellow Pages, found a twenty-four hour messenger service. I called them and told them to send a kid over for a pick-up and delivery.
During the day I had picked up a batch of singles from the bank, along with a couple hundreds. While the kid was on his way over I made a bundle of money, a sheaf of singles with two one-hundreds at the top and bottom of the roll. I stuffed the money into an envelope and started to scrawl A. Milani on it. Then I changed my mind and typed the name on Murray’s office typewriter. I sealed the envelope and dropped it on the table in the outer office. I left the hall door open and retired to Murray’s private office and sat in his chair, with the door closed.
When the kid came in I called to him through the closed door. “There’s an envelope on the table there,” I said. “Run it over to the Hotel Glade near the station. It’s for a man named August Milani. Make sure you give it to him in person.”
I had left a five-spot on the table along with the envelope. I told the kid to help himself to it. As soon as he left I got the hell out of Murray’s office, ran down seven flights of stairs and caught an elevator the rest of the way. I drove home, changed into my Milani costume, hurried over to the Glade. I made myself slow down on the way in, forced myself to walk with the head-back, shoulders-slouched swagger of my man Milani.
The kid was there when I reached the hotel. He leaned up against the desk, waiting to deliver Milani’s envelope in person. I took it from him, gave him a quarter and watched him go. Then I turned to the desk clerk, a buddy by now—I’d been cultivating him carefully. I winked at him, then ripped open the envelope and snatched up the stack of bills. His eyes bugged.
“Money,” I said.
I fanned the bills for him. He saw the hundreds on the top and the hundreds on the bottom, and all the singles in the middle were just a big flash of green ink.
“Money,” I said again.
And I started dealing the bills out, slapping them one after the other onto the top of the counter. The basic principle is pretty much the same as the one used in a second deal or a bottom deal. Each time I was slapping down two bills, a hundred on top and a single under it. Each time fast fingerwork brought the hundred back on to the top of the stack for the next shot. By the time I was finished there wasn’t any question in the desk clerk’s mind. Quite obviously I had a stack of hundred-dollar bills.
“Jesus,” he said.
“I told you, didn’t I? I leave this town in the longest Caddy Detroit ever made.”
“How did you get that kind of dough?” the clerk said.
I winked at him. “A guy named Rogers,” I said. “The one who left me all them nasty messages.”
“Yeah?” I nodded solemnly. “Yeah,” I said. “Can you keep a secret?”
“Sure.”
“So can I.” I laughed aloud. “And that’s where all this wonderful bread came from. I get paid for keeping secrets. I get paid real nice.”
“What did he do?”
“Who?”
“Rogers,” the clerk said. I was glad to see he could remember the name. “What the hell did he do?”
“Nothing.”
“But—”
“He’s a real nice guy,” I said. “A big-time lawyer. It’s just that he’s got this little secret, see? And he’ll pay to keep it.”
I
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