Loitering: New and Collected Essays

Loitering: New and Collected Essays by Charles D'Ambrosio Page A

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Authors: Charles D'Ambrosio
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nights in the woods. I vaguely understood that I was doing this because I could no longer think; I found relief in walking up hills. Whenthe night temperatures dropped below zero, I felt visited by necessity, a baseline purpose, and I walked for miles, my only objective to remain upright, keep moving, preserve warmth. When I was lost, I told myself stories, recounting my survival, implying that I would live and be able to look back at it all. At some point, I realized that I was telling my father these stories.
    I decided that I would try corresponding with him. I had built a lean-to at seven thousand feet, and I routinely slept there. In the morning, I warmed myself by a fire and then walked home and began writing. I worked for days, even weeks, on the letters. The last time I’d seen him he made a point of showing me the stains in his bed, on the sheets. He pulled away the blankets, revealing bright yellow splotches of mustard, red patches of spaghetti sauce, something urinous that had spilled from a carton of take-out Chinese. I’m not sure what he meant to show me, and I’m not sure what saddened me more, this man eating alone in bed, who could not clean up after himself, or this man who needed to share with his son a grotesque failure.
    My father and I had survived the same wounds. His lost sons were my brothers. I believed we might have something to talk about. I was drawn to the antique idea of a correspondence because it seemed restrained and formal, even ritualized. In Philipsburg, there is nohome delivery, and people go to town to pick up mail. I always walked to the post office with my dog, and even that little effort, the mile of dirt road, blowing with dust or drifting with snow, made the mail that much more meaningful.
    I delayed sending my first letter for several months. My father replied with a long, bulleted outline. I read it, bullet by bullet, feeling disoriented, despite the orderly indents and the nesting of what, in outlines, are called “children.” After four or five readings I was able to breathe normally. I reread his outline until I lost its meaning, then got out my colored pens and began highlighting. The bullets and dashes and indentations were like the sleeves and straps and buckles of a straitjacket. I’ve often thought that the unit of measure that best suits prose is the human breath, but there was no air in my father’s sentences; he seemed to be suffocating inside them.
    I had made an effort to discuss the events of our past, but he regarded this as a trespass. “When did God empower you,” he asked me, “with such omniscient abilities?” His position was truth; mine was not. My letter, he wrote, “is incorrect throughout, is a fictional (‘Having no foundation in fact,’ OED ) version of reality (‘Reality: The quality of being real or having an actual existence,’ OED ).” He was defensive, which I should have anticipated: “After nine years of sixty-hour weeks of intensiveresearch, not reading and study, but research, I know I was a terrific dad and terrific husband.”
    I wrote more letters. His replies were long—seven, eight, nine pages. There were words he couldn’t get past. He became obsessed with boundaries . Boundaries were bad. “Those who set them up,” he wrote, “protect the dysfunctionality they see in themselves and seek to foist that malady on others through their boundaries.” Boundaries, he wrote, “are the antithesis of meaningful honest relations.” Boundaries have no place between a father and his children. He insisted the proper word was relation . “Relation is a mathematical notion which means one-to-one correspondence.”
    Another time it was the word gag . He had used the word, saying that I was prevented from speaking honestly; I objected; he objected to my objection. “Emphasis on the word, gag , denies the act!!! The gag is the aggressive act. The word gag fits, is proportional to, the act. The gag is the loaded act; the word gag

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