Last Bus to Woodstock

Last Bus to Woodstock by Colin Dexter

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Authors: Colin Dexter
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traverses in the process as many lines, continuous, broken, broad, narrow, yellow, white, as one may find in the key to an Ordnance Survey map; for the Oxford City Council has escalated its long war of attrition against the private motorist and has instituted a system of bus lanes along the Botley Road. A bus arrives almost immediately, and the dour Pakistani one-man crew silently discharges his manifold duties. The young man always hopes that the bus is fairly full so that he may sit beside one of the mini-skirted, knee-booted young girls returning to the city; but today it is almost empty. He sits down and looks mechanically around him.
    He alights at the stop before the railway bridge (where the bus must make a right-hand detour to avoid a scalping from the iron girders), threads his way to a dingy street behind the shabby rows of houses, and enters a small shop. The legend above the door of Mr Baines’s grimy, peeling shop-front reads ‘Newsagent and Tobacconist’. But such is the nature of Mr Baines’s establishment that he employs no cohorts of cheeky boys and girls to deliver his morning and evening newspapers, nor does his stock of tobacco run to more than half a dozen of the more popular brands of cigarettes. He sells neither birthday cards nor ice-cream nor confectionery. Mr Baines – yes, he is a shrewd man – calculates that he can make as much profit from one swift, uncomplicated transaction as from the proceeds of one day’s paper rounds, or from the sale of a thousand cigarettes. For Mr Baines is a dealer in hard pornography.
    Several customers are standing along the right-hand side of the narrow shop. They flick their way through a bewildering variety of gaudy, glossy girlie magazines, with names that ring with silken ecstasies: Skin and Skirt and Lush and Lust and Flesh and Frills . Although the figures of the scantily clad models which adorn the covers of these works are fully and lewdly provocative, the browsers appear to riffle the pages with a careless, casual boredom. But this is the appearance only. A notice, in Mr Baines’s own hand, warns every potential purveyor of these exotic fruits that ‘the books are to be bought’; and Mrs Baines sits on her hard stool behind the counter and keeps her hard eyes upon each of her committed clients. The young man throws no more than a passing glance at the gallery of thrusting nakedness upon his right and walks directly to the counter. He asks, audibly, for a packet of twenty Embassy and slides his package across to Mrs Baines; which lady, in her turn, reaches beneath the counter and passes forward a similar brown-paper parcel to the young man. How Mr Baines himself would approve! It is a single, swift, uncomplicated transaction.
    The young man stops at the Bookbinder’s Arms across the road and orders bread and cheese and a pint of Guinness. He feels his usual nagging impatience, but gloats inwardly in expectation. Five o’clock will soon be here and the journey to Woodstock is infinitely quicker now, with the opening of the new stretch of the ring-road complex. His mother will have his cooked meal ready, and then he will be alone. In his own perverted way he has grown almost to enjoy the anticipation of it all, for over the last few months it has become a weekly ritual. Expensive, of course, but the arrangement is not unsatisfactory, with half-price back on everything returned. He drains his Guinness.
    Sometimes he still feels guilty (a little) – though not so much as he did. He realizes well enough that his dedication to pornography is coarsening whatever sensibilities he may once have possessed; that his craving is settling like some cancerous, malignant growth upon his mind, a mind crying out with ever-increasing desperation for its instant, morbid gratification. But he can do nothing about it.
    Prompt at 2.00 p.m on Wednesday, 6 October, Mr John Sanders is back in the formica shop, and once more the gyrating saw, whining in agony, can be heard

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