dipping her knees into the back of his legs. He collapses way more than he should. âHey, now,â he says, laughing. Barrett greets her with a hand slap, then pulls her into a hug.
âWhat about you?â Barrett asks. âSaturday prep?â
âAre you kidding me?â she says. Sheâs wearing anoff-the-shoulder T-shirt with a long skirt. âToo early,â she says. âIâm hungover nowâhow would I deal on a Saturday?â
âSuch a party girl,â Barrett says.
âParty, party,â Danny says, and I see a flicker of somethingâcuriosity or disapproval? Something.
âYeah, you totally missed our après-surf cocktails,â Whitney says and acknowledges me.
Again I see that look on Dannyâs face, like heâs trying to seem indifferent, but isnât. I think Iâm expected to talk now, and so I say, âYeah. It was good. Weââ
âGot wasted!â Whitney says.
âFor reals?â Barrett says, looking pleased, suddenly reevaluating me. I go with it and donât say anything. I didnât think Whitney was drunk at all last night. I wasnât, but maybe she poured more Kahlúa into her own drink or imbibed without me, alone. But why would she want to include me this way?
âDanny, join us next time?â She grins with an open mouth as if posing for a picture.
âSure,â he says. âNext time.â
âWhat about now?â she says.
âNow?â He laughs. âYouâre crazy.â He looks toward the library. âIâm on brother duty tonight.â
âYour stepmom should get a nanny or something,â she says, and I cringe, but Danny just smiles.
âYeah, she totes should,â he says in a girly voice. âNanny, driver, gardener, guest cottage . . .â
Barrett laughs, even though he probably has or could have had all these things and more. The theater here at Punahou has his last name on it.
âMari!â Whitney yells. âYo! Wait up.â
Mari Ito turns. âYo!â she yells from across the quad.
âSee you tonight?â Whitney says, looking back at me. Barrett leaves too, tilting his head in farewell.
âRight,â I say. Dinner. I almost ask her what I should wear.
Danny watches her go. âYou got drunk with Whitney?â He almost sounds jealous.
âNot really,â I say.
âNot really?â He looks past me.
âWe had a few drinks, thatâs all.â
âWell, well, well.â He smirks and shakes his head.
I recognize his look: fake relaxed. He wants to know more, see more, do more, but doesnât want to appear like he wants anything at all.
âSheâs a trip,â he says.
âYeah,â I say and look down, and then I ask, âHow so?â
âI donât know,â he says. âCrazy or . . . interesting.â
âInteresting,â I say.
How so?
I want to ask again, but I can see it. Sheâs beautiful, composed. Sheâs interesting because sheâs fully herself.
He looks deep in thought, and now Iâm back to where I was with my fake-relaxed face, wanting to know more while not looking like I do.
Am I interesting? I want to be interesting. I want to be crazy. I want to be fully myself.
âLike Iâve always known her as a group,â Danny says. âAll her little party friends. But alone, I donât know, sheâs cooler than I thought.â He smiles to himself.
Iâd be cool too if I had a house like that, a pool like that, a lifelike that. These thoughts make me feel small, but itâs true. Sheâs pretty, but itâs as though money gives you bonus points; it makes you prettier. Because if she werenât Whitney Westâif she were, say, Gina Crumb from Kaneoheâthen she wouldnât be as compelling, as cool, even if her looks remained the same. Money seems to work like yeast, raising people to the
Agatha Christie
Daniel A. Rabuzzi
Stephen E. Ambrose, David Howarth
Catherine Anderson
Kiera Zane
Meg Lukens Noonan
D. Wolfin
Hazel Gower
Jeff Miller
Amy Sparling