Invitation to a Bonfire by Adrienne Celt

have been part of a plot to infiltrate our home life with spies—first emerged along with the news that the orphans were not from German and Polish ghettos as assumed, but instead from Soviet orphanages all around the USSR. Suspicions only increased during the ship’s two-week quarantine in harbor, which many hypothesized was due not to flu (as theFuries reported) but instead to the heightened political tension around the ship’s passengers. During this period, lights were frequently seen on the boat at night, and sometimes figures were spotted moving around the dock. Sources close to the Register insisted that occasionally the lights would “change color” or “move funny” in the dark, but these reports were never substantiated.
    Thanks to an anonymous tip, Register reporters were on the scene when the children were finally released and sent on to their new American homes on a quiet night in December. Two hundred small figures were removed from the boat, huddled beneath coats and blankets, before being placed into waiting vans and taken to the nearest train depot. Although the crowd was told the orphans were young and sick, bystanders eager for a closer look continued to press toward the children, and flashbulbs popped regularly in the darkness. One onlooker even waved a knife in the air while declaring himself “ready to act” if necessary, and though this man was quickly subdued by authorities, there were some present who questioned whether his actions were those of a crank or a hero.
    Three years later, we are still left with the same uncertainties. Was it charity to place these children with American families, or a boondoggle of the greatest order? Did they grow up to contribute productively to their households, or did they wait and watch for the moment they might undermine them? With the Furies still closely guarding their whereabouts, we’re still no closer to finding out.

 
    Zoya
    19.
    When I was one of them, the girls of the Donne School all seemed unique to me, each equipped with her own set of interests (which I knew of) and hidden talents (which I sometimes suspected), and peculiar embarrassments (which I rarely understood), not to mention a pair or two of infrequently laundered pajamas. They all had names: Jenny Hollinger, Leonora Torrance, Margaret Rathburn, Cindy Pink. Josephine Toff and Ashley Pearson, Regina Anderson and Leah Wills. It was only once I joined the staff that they became as one to me, a sea of girls washing forward out of classroom doors, dredged back into seats with the chime of a bell. Totally tidal and predictable. Utterly furious in their force.
    It’s true I endured my fair share of snubbing as a student—as I’ve said, I didn’t really have friends. But it was accepted that I was supposed to be there. A little exotic, a little pathetic. Their mascot European exile with her heavy accent (embarrassing: I rid myself of this as soon as I could) and quietly ridiculous turns of phrase. Many fellow students recognized me as Margaret’s roommate, and put me under their wing for that reason, helping me pick the one good dessert from a table full of sticky canned puddings, or stopping me outside the bathroom to point out the toilet paper attached to my shoe. (It took me years to get the hang of throwing soiled tissue into the toilet instead of a wastebasket, as I’d been taught to do back home. Especially considering the dented tins placed in every stallfor items of feminine hygiene; how was I supposed to know the difference? Lucky for me, none of the girls ever knew. I think I’d have been lynched, or would, at the very least, have acquired a sickening nickname.) At graduation we all wore black gowns and hugged on the lawn, creating a tableau not unlike my original dreams of the Donne School, but in reverse. Good-byes, not hellos. Dark clothing, not white. Still quite tender.
    I expected things to carry on more or less the same