as we drove to the baths (yes, yes, she has her licence), she stopped in front of a fruit stand. I saw her hesitate, make as if to get out of the car, then decide against it. ‘Is something wrong?’ I asked. Aicha told me she couldn’t purchase the oranges herself because there was ‘a whole tableful of Arabs’ on the café terrace across from the fruit stand. I was floored. ‘She’s a widow,’ Aziz explained to me later, ‘and widows mustn’t allow men to look at them.’ I managed not to retort: Listen, what kind of bullshit is it that turns a man’s eyes into a man’s cock and a fully-dressed woman into a naked woman, so that the gaze of any man on any woman, even from a distance, even if she’s clothed from head to foot, is tantamount to rape? What kind of bullshit is it that makes women lower their eyes, avert their eyes, abdicate their vision, pretend they can’t and don’t see anything, so men can go on thinking they’re the only ones with eyes in their heads? Just what are men afraid we might see? I, for one, refuse to lower my gaze. I insist on looking. It was the first decision I ever took on my own—to steal acamera and learn to frame, zoom, print, study, reprint…
In the end, Aicha sent me to buy the oranges (given that I was already an infidel, id est practically a whore)—but with her money, of course; after all, I was her guest. We got to the baths at last, and to me it was a foray into hell. The hot steam clogged up my nose and throat until I could hardly breathe; even more stifling was the sight of so many women endlessly rubbing and scrubbing their bodies, working themselves over with soaps and creams—how can you spend four hours just getting clean? As always happens when I can’t take photographs, I gradually felt myself being overcome by nausea. I kept thinking about the odalisques, all those nineteenth- and twentieth-century images depicting the voluptuous mysteries of women in the baths…Why do we never see men in the baths? I wondered. Why has no painter or photographer ever deemed it worthwhile to show us what male bodies look like as they lie around sweating and chatting? Hmm, that’s what I should do—disguise myself as a man, put some infrared film in my camera and do a series of photos in the Turkish baths on men’s day.
A hitch, Subra puts in. Not easy to disguise yourself as a naked man…
Even now, on women’s day, I wasn’t exactly blending in. Abnormally white and skinny in this context, my body elicited an embarrassing number of stares. Despite my polite refusals—’No, thanks. Really, there’s no need.’ ‘Yes, yes,’—Aicha plastered henna all over my hair because she had some left over and didn’t want to waste it. Then, still under the pretext that I was her guest and that hospitality is sacred, she made me the gift of a peeling. So it was that I found myself in the fleshy claws of another ogress—who slammed me down on my back and scrubbed me sadistically with a bar of rough black soap, literally tearing the skin off my poor little breasts, back, thighs and ass…When she released me some ten minutes later,I was flayed, scarlet, and incensed. Realising I’d go berserk if I stayed there one more minute, I told Aicha I was late for an appointment, skipped the last two stages of the inexorable ritual—donning djellabas and eating oranges—and went back to the foyer.
There, a group of young women were chattering up a storm in a mixture of French and Arabic, indulging all the while in mutual eyebrow-plucking, cream-rubbing, back-massaging, make-up-apply-ing, hair-brushing and toenail-painting. A pert young mom in her early twenties tugged at her four- or five-year-old son. ‘Hey, you! Come over here.’ The boy stiffened, refusing to cuddle up against her body. ‘Oh, so you’re a big boy, now, is that it? You’re acting proud? Well, then I won’t be your friend anymore…What? What did you say? Ha-ha-ha-ha-ha!’ She amplified her son’s
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