In the Beginning
Howard and sold him the “Ralph Burke” story “Stay Out of My Grave,” but I was at work on an 8000-worder that I called “The Price of Air” for him. It saw print in the December, 1956 issue of Fantastic. By then Howard Browne had resigned from Ziff-Davis so he could return to writing mystery novels, and the new editor was Howard’s former associate, Paul Fairman, a much less jovial man with whom I never attained much of a rapport. Fairman kept me on as a staff writer, but it was strictly a business matter, whereas I think the amiable Howard Browne had regarded me as something of an office mascot.
    When he published “The Price of Air,” Fairman changed the title to “Choke Chain,” which puzzled me, because I didn’t know what the term meant. Later I discovered that it’s a dog-owner thing. I am a cat-owning sort of person. It is, I suppose, an appropriate enough title for this story, and I have left it in place this time around.
     
     
    Callisto was supposed to have been just a lark for me, a pleasant stopoff where I could kill time and work up the courage to tackle the big task—Jupiter. I felt that exploring the big, heavy planet was, well, maybe not so grand a thing as my destiny, but yet something I had to do.
    There was only one trouble: the immenseness of Jupiter’s unknown wastes scared me. Fear was a new sensation for me. I got as far as Jupiter’s moon Ganymede, a thriving world bigger than Mercury, and suddenly, with great Jupiter looming overhead in the sky like a bloated overripe tomato, I knew I wasn’t ready for it. I’ve been to a lot of places and done a lot of things, and this was the first time I’d ever drawn back from an adventure.
    I dallied on Ganymede for a couple of days, not knowing quite where to turn. Then one night in a bar someone hinted to me that something funny might be going on on Jupiter’s largest moon, Callisto, and I set my sights there.
    It seemed Callisto had recently clamped down on tourists, had booted out a couple of newspapermen, and had done some other mighty peculiar things, and rumors were spreading wildly about what might be taking place there.
    It looked like a fine idea, at the time: go to Callisto, find out what the trouble was, spend a few days putting things in order. It was the kind of jaunt I thrive on, the sort of thing that’s been my specialty since I began roaming the spaceways. By the time I was through on Callisto, I thought I’d have the blood flowing smoothly in my veins again, and I’d feel more like tackling the Big Project: Jupiter.
    Only Callisto wasn’t the picnic I thought it would be. It turned out to be something more than a refresher for weary adventurers. I found that out as soon as I got there.
    ***
    It had been rough to get a passport, but I finally signed on a slow tug as a mechanic, and that was good enough to get me a landing permit for Callisto.
    I helped pilot a tugload of heavy crates from Ganymede to its nearby twin moon, Callisto. I didn’t know what was in the crates, I didn’t ask, and I didn’t care. The job was getting me to the place I wanted to get to, and that was what counted.
    We reached the satellite in a couple of days, and the skipper put the ship down in a vast, windswept desert of blue-white ammonia snow. As soon as we were down, the captain radioed Callisto City to let them know we were here.
    Callisto City is a giant dome, a plastine bubble that covers a fair-sized chunk of Callisto and houses several tens of thousands of colonists. We were outside it, in the snow.
    I waited impatiently, staring out the port of the ship at the empty swirls of snow, watching a little convoy of trucks come crawling out of Callisto City like so many black bugs and go rolling through the snow to meet us.
    Then they arrived. A gong sounded, and I heard the captain yell, “Into your spacesuits, on the double! Let’s get the cargo loaded extra quick.”
    We suited up, and by that time the trucks had arrived. We loaded

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