shimmering in the air exactly like heâs been in my mind. Heâs a light show. He starts walking toward me. âI donât know the woods. Was hoping . . .â He doesnât finish, half smiles. This guy is just not an asshat. âWhatâs your name, anyway?â Heâs close enough to touch, close enough to count his freckles. Iâm having a hand problem. How come everyone else seems to know what to do with them? Pockets, I remember with relief, pockets, I love pockets! I slip the hands to safety, avoiding his eyes. Thereâs that thing about them. Iâll look at his mouth if I have to look somewhere.
His eyes are lingering on me. I can tell this even with my undivided attention on his mouth. Did he ask me something? I think he did. The IQâs plummeting.
âSuppose I could guess,â he says. âIâll go for Van, no got it, Miles, yeah, you totally look like a Miles.â
âNoah,â I blurt, sounding like the knowledge just flew into my head. âIâm Noah. Noah Sweetwine.â God. Lord. Dorkhead.
âSure?â
âYup, definitely,â I say, sounding chirpy and weird. My hands are totally and completely trapped now. Pockets are hand jails. I free them, only to clap them together like theyâre cymbals. Jesus. âOh, whatâs yours?â I ask his mouth, remembering, despite the fact that my IQ is approaching the vegetal range, that he too must have a name.
âBrian,â he says, and thatâs all he says because he functions.
Looking at his mouth is a bad idea too, especially when he speaks. Again and again his tongue returns to that space between his front teeth. Iâll look at this tree instead.
âHow old are you?â I ask the tree.
âFourteen. You?â
âSame,â I say. Uh-oh.
He nods, believing me, of course, because why would I lie? I have no idea!
âI go to boarding school back east,â he says. âIâll be a sophomore next year.â He must see the confused look Iâm giving the tree, because he adds, âSkipped kindergarten.â
âI go to California School of the Arts.â The words blasting out of my mouth without my consent.
I sneak a look at him. His browâs creasing up and then I remember: It says California School of the Arts on practically every freaking wall of that freaking place. He saw me outside the building, not in it. He probably heard me tell the naked English guy I donât go there.
I have two choices: Run home and then donât come out of the house for the next two months until he leaves for boarding school, orâ
âI donât really go there,â I spill to the tree, really afraid to look at him now. âNot yet, anyway. I just want to. Like badly. Itâs all I think about, and Iâm thirteen still. Almost fourteen. Well, in five months. November twenty-first. Itâs the painter Magritteâs birthday too, that day. He did that one with the green apple smack in front of that guyâs face. Youâve probably seen it. And the one where another guy has a birdcage instead of a body. Supremely cool and twisted. Oh, and thereâs this one of a bird flying but the clouds are inside the bird, not outside of it. Really awesomeââ I stop myself because, whoaâand I could go on too. There isnât a painting I suddenly donât want to tell this oak tree about in great detail.
I slowly turn to Brian, whoâs staring at me with his squinting eyes, not saying anything. Why isnât he saying anything? Maybe I used up all the words? Maybe heâs too freaked out that I lied, then unlied, then started a psychotic art history lesson? Why didnât I stay on the roof? I need to sit down. Making friends is supremely stressful. I swallow a few hundred times.
Finally, he just shrugs. âCool.â His lips curve into a half smile. âYou are
a bloody mess,
dude,â he says,
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