aloft, for two weeks. And for some reason—because he was intractable, absurd, mad beyond hope or redemption—the press couldn’t get enough of it.TV included. How he passed the time, what he ate, how he relieved himself, no one knew. He was just a presence, a distant speck in a mesh sack, the faintest intrusion of reality on the clear smooth towering face of the Sumitomo Building. Peachtree tried to get him down, of course—harassing him with helicopters, sending a squad of window cleaners, firemen, and lederhosen up after him—but nothing worked. If anyone got close to him, Zoltan would emerge from his cocoon, cling to the seamless face of the building, and float—float like a big red fly—to a new position.
Finally, after the two weeks were up—two weeks during which my phone never stopped ringing, by the way—he decided to come down. Did he climb in the nearest window and take the elevator? No, not Zoltan. He backed down, inch by inch, uncannily turning up finger- and toe-holds where none existed. He sprang the last fifteen feet to the ground, tumbled like a sky diver, and came up in the grip of a dozen policemen. There was a barricade up, streets were blocked, hundreds of spectators had gathered. As they were hustling him to a patrol car, the media people converged on him. Was it a protest? they wanted to know. A hunger strike? What did it mean?
He turned to them, the goggles steamed over, pigeon feathers and flecks of airborne debris clinging to his cape. His legs were like sticks, his face nearly black with sun and soot. “I want to be famous,” he said.
“A DC 10?”
Zoltan nodded. “The bigger, the better,” he rumbled.
It was the day after he’d decamped from the face of the Sumitomo Building and we were in my office, discussing the next project. (I’d bailed him out myself, though the figure was right up there with what you’d expect for a serial killer. There were fourteen charges against him, ranging from trespassing to creating a public nuisance and refusing the reasonable request of a police officer to indecent exposure. I had to call in every favorthat was ever owed me and go down on my knees to Sol Bank-off, the head of the agency, to raise the cash.) Zoltan was wearing the outfit I’d had specially made for him: new tights, a black silk cape without a wrinkle in it, a pair of Air Jordan basketball shoes in red and black, and most important of all, a red leather aviator’s cap and goggles. Now he looked less like a geriatric at a health spa and more like the sort of fearless daredevil/superhero the public could relate to.
“But Zoltan,” I pleaded, “those things go five hundred miles an hour. You’d be ripped to pieces. Climbing buildings is one thing, but this is insane. It’s suicidal.”
He was slouched in the chair, one skinny leg thrown over the other. “The Human Fly can survive anything,” he droned in his lifeless voice. He was staring at the floor, and now he lifted his head. “Besides, you think the public have any respect for me if I don’t lay it all on line?”
He had a point. But strapping yourself to the wing of a DC 10 made about as much sense as taking lunch at a sidewalk café in Beirut. “Okay,” I said, “you’re right. But you’ve got to draw the line somewhere. What good’s it going to do you to be famous if you’re dead?”
Zoltan shrugged.
“I mean already, just with the Sumitomo thing, I can book you on half the talk shows in the country.…”
He rose shakily to his feet, lifted his hand, and let it drop. Two weeks on the face of the Sumitomo Building with no apparent source of nourishment hadn’t done him any good. If he was skinny before, he was nothing now—a shadow, a ghost, a pair of tights stuffed with straw. “Set it up,” he rumbled, the words riding up out of the depths of his sunken abdomen, “I talk when I got something to talk about.”
It took me a week. I called every airline in the directory, listened to a
Tara Brown
Julie Ortolon
Jenna Tyler
Cindy Dees
Bonnie Vanak
Paul Harding
Isabella Redwood
Patricia MacDonald
Scott Wieczorek
Patty Campbell