when the clerk stuck his head in.
âExcuse me, sir, but I donât want to get in any trouble. Vice Questore Garzo said that you were to see him the very minute you came in. He didnât even go out to lunch!â
âIf itâs so urgent that he talk with the Commissario, why doesnât he come here himself?â Maione asked sarcastically.
âAre you crazy,
Brigadieâ
? That one only leaves the office to go and see the signor Questore! Please, sir, I beg you, donât make me get me in trouble.â
âIâm busy right now, Ponte, Iâm conducting an investigation, as the Vice Questore knowsâor should know. If he has any information that can help me, have him send it to me. If not, let him put it in writing that I should go and see him instead of doing my job. He himself told me to set everything else aside.â
Ponte gave a long sigh. âAll right, sir, I understand. Iâll tell him what you said, may God help me. As you wish.â
When the clerk left, Maione sat down and pulled out a notebook.
âSo then. Vezzi stayed at the Vesuvio, on the waterfront, the same hotel he always stays at whenever he comes to Naples. They arrived the evening of the twenty-first, by train, he and Bassi, the secretary. The hotel staff hated himâso what else is new. They say he chewed out anyone who came within sight, nothing ever satisfied him, and so on. However, nothing unusual happened, there were no quarrels that would suggest that anyone might do something. The dress rehearsal was scheduled for six oâclock on Monday, the twenty-third. Vezzi left the hotel at four and went straight back late in the evening, after the rehearsal. The doorman remembers him well, because he asked him if he needed a carriage and he told him to mind his own business. Yesterday, instead, he left at six to go to the theater, and was wearing a long black coat, the one weâve seen, a broad-brimmed hat, also black, and a white wool scarf which he used to shield his face from the wind. When the doorman wished him good luck, Vezzi made
corna
at him and gave him a dirty look. Thatâs everything. Oh, by the way: the hotel is right on the sea.â
Ricciardi had listened closely, his hands clasped in front of his mouth and his eyes never leaving Maione.
âWhat time are they due to arrive, the manager and Vezziâs wife?â
âTwo hours from now, at Mergellina station,â Maione said, checking his wristwatch.
âAll right then, send Bassi in. Thereâs something I need to understand.â
XVIII
V ezziâs secretary appeared, dapper and elegant as always; hair neatly parted in the centre, freshly shaved, gold-rimmed glasses that he nervously kept adjusting on his nose.
âShould I be worried, Commissario? Iâm not a suspect, am I? Iâll remind you that I spent the evening sitting next to the theater director, in the front row.â
Ricciardi made a slight wave of annoyance, as if to chase away an insect.
âNo, Bassi. I wouldnât say so. But there is one thing Iâd like to know. You said that, to please Vezzi, an assistant had to âbe able to disappear at the right moment, leaving him free.â Explain it to me more clearly. What does that mean, exactly?â
Bassi seemed caught off guard. He adjusted his glasses on his nose with his right index finger.
âExactly? Well, in practical terms it means that the Maestro insisted on . . . well, discretion. You had to understand him even before he spoke, like all individuals endowed with a big ego.â
âLook, Bassi, I asked you a specific question. Believe me, weâre not in a convent here; thereâs nothing we havenât heard in this place. I know you meant something by it and I demand that you tell me what it was.â
Bassi instantly lost his self-confidence. He went on speaking in a submissive tone.
âThe Maestro had his weaknesses. Who doesnât? He was a
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