sticky. Opaque sensuality.
âWant to dance?â
Itâs like moving into Amazon humidity. Bodies running with sweat. You need a machete to cut through this jungle of arms, legs, sexes and mingling smells. Spicy sensuality. She presses against me. No talking. The samba flows into our bodies. Sweat pouring down. Everything flowing. Effortlessly. Weâve got all eternity.
We go back to the table.
âYour business about sexuality,â she declares, âis a load of crap.â
âIf you say so.â
âYouâre just reworking the Myth of the Black Stud. I donât believe in it.â
âWhat do you believe in?â
âBlack and white are the same to me.â
âWeâre talking sexuality, not arithmetic.â
âSure. But . . .â
âSince youâve challenged me, Iâm going to tell you exactly what I think. Black and white are equal when it comes to death and sexuality. Eros and Thanatos. And I think that when you mix black man and white woman you get blood red. With his own woman the black man might not be worth the paper heâs printed on, but with a white woman, the chances of something happening are good. Why? Because sexuality is based on fantasy and the black man/white woman fantasy is one of the most explosive ones around.â
âEmotions are blackâisnât that myth a little worn out?â
âIt might be. But you canât have whites winning coming and going. They say theyâre better than blacks in everything, then turn around and want to be our equals in one area: sexuality.â
âWhat about whites who donât think theyâre superior to blacks?â
âThose whites, obviously, donât have sexual hang-ups.â
A MERINGUE.
âLetâs give it a try.â
Koko, the Senegalese musician I met at the Clochards Célèstes, has a hot tip for me.
âThis girl at my table is suffering an attack of the mystical heebie-jeebies over you.â
âWhy would that be, brother?â
âShe insists youâre the reincarnation of the Great God Ra.â
âAs if I needed that.â
âIf you want you can stop by my table.â
I let a couple minutes go by, then go over to where Koko is sitting.
âHi, Koko.â
âHi, brother. Sit down.â
The girl is as cool and composed as a pressure cooker.
âHow are you doing?â
âNot bad.â
The DJ is playing reggae.
âYou want to dance?â
âOkay.â
Brazilian music comes on.
âShould we stay?â
âFine with me.â
Itâs that easy when itâs working. Smooth as silk.
âLetâs get a drink at the bar,â she says. âItâs quieter there. We can talk.â
We sit down at the bar on the high stools and order drinks. I ask her what sheâs up to these days.
âIâm reading.â
âWhat?â
âHemingway.â
âExcellent.â
We finish our drinks. She asks me back to her place for coffee.
âIâll come.â
âAre you leaving with that girl?â Bouba asks me as I get my jacket from the back of the chair.
âLooks that way.â
âThe girl next to me says you dropped her because she didnât agree with everything you said.â
âTell her, Bouba, that all I did was beat her to the punch.â
âLooked to me she was hot for you. She told me it was the first time anyoneâs ever put her down.â
âTell her that times are tough for everybody.â
I wish them all a good night. The girl with Bouba, Miz Zodiac, smiles back. Miz Mystic too. A put-on smile. The other girl was waiting for me at the door.
The Black Cat with Nine Tails
SHE LIVES in Notre-Dame-de-Grâce, all the way across town. A nice place. Across from a park. Another girl across from a park. But this park has nothing in common with the Carré St. Louis. She cohabits with two cats: Lady Barbarella of
Louis - Sackett's 06 L'amour