Houseboat Days: Poems

Houseboat Days: Poems by John Ashbery Page B

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Authors: John Ashbery
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hat,
    Studious as a butterfly in a parking lot.
    The road home was nicer then. Dispersing, each of the
    Troubadours had something to say about how charity
    Had run its race and won, leaving you the ex-president
    Of the event, and how, though many of those present
    Had wished something to come of it, if only a distant
    Wisp of smoke, yet none was so deceived as to hanker
    After that cool non-being of just a few minutes before,
    Now that the idea of a forest had clamped itself
    Over the minutiae of the scene. You found this
    Charming, but turned your face fully toward night,
    Speaking into it like a megaphone, not hearing
    Or caring, although these still live and are generous
    And all ways contained, allowed to come and go
    Indefinitely in and out of the stockade
    They have so much trouble remembering, when your forgetting
    Rescues them at last, as a star absorbs the night.

Variant
    Sometimes a word will start it, like
    Hands and feet, sun and gloves. The way
    Is fraught with danger, you say, and I
    Notice the word “fraught” as you are telling
    Me about huge secret valleys some distance from
    The mired fighting—“but always, lightly wooded
    As they are, more deeply involved with the outcome
    That will someday paste a black, bleeding label
    In the sky, but until then
    The echo, flowing freely in corridors, alleys,
    And tame, surprised places far from anywhere,
    Will be automatically locked out— vox
    Clamans —do you see? End of tomorrow.
    Don’t try to start the car or look deeper
    Into the eternal wimpling of the sky: luster
    On luster, transparency floated onto the topmost layer
    Until the whole thing overflows like a silver
    Wedding cake or Christmas tree, in a cascade of tears.”

Collective Dawns
    You can have whatever you want.
    Own it, I mean. In the sense
    Of twisting it to you, through long, spiralling afternoons.
    It has a sense beyond that meaning that was dropped there
    And left to rot. The glacier seems
    Impervious but is all shot through
    With amethyst and the loud, distraught notes of the cuckoo.
    They say the town is coming apart.
    And people go around with a fragment of a smile
    Missing from their faces. Life is getting cheaper
    In some senses. Over the tops of old hills
    The sunset jabs down, angled in a way it couldn’t have
    Been before. The bird-sellers walk back into it.
    “We needn’t fire their kilns; tonight is the epic
    Night of the world. Grettir is coming back to us.
    His severed hand has grabbed the short sword
    And jumped back onto his wrist. The whole man is waking up.
    The island is becoming a sun. Wait by this
    Mistletoe bush and you will get the feeling of really
    Being out of the world and with it. The sun
    Is now an inlet of freshness whose very nature
    Causes it to dry up.” The old poems
    In the book have changed value once again. Their black letter
    Fools only themselves into ignoring their stiff, formal qualities, and they move
    Insatiably out of reach of bathos and the bad line
    Into a weird ether of forgotten dismemberments. Was it
    This rosebud? Who said that?
    The time of all forgotten
    Things is at hand.
    Therefore I write you
    This bread and butter letter, you my friend
    Who saved me from the mill pond of chill doubt
    As to my own viability, and from the proud village
    Of bourgeois comfort and despair, the mirrored spectacles of grief.
    Let who can take courage from the dawn’s
    Coming up with the same idiot solution under another guise
    So that all meanings should be scrambled this way
    No matter how important they were to the men
    Coming in the future, since this is the way it has to happen
    For all things under the shrinking light to change
    And the pattern to follow them, unheeded, bargained for
    As it too is absorbed. But the guesswork
    Has been taken out of millions of nights. The gasworks
    Know it and fall to the ground, though no doom
    Says it through the long cool hours of rest
    While it sleeps as it can, as in fact it must, for the man to find

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