the workmen could use to attack their superiors, and it would perhaps be attaching too much importance to what appears to be a casual scribble, were we to assume that it signifies anything other than a crude attempt to depict Hatchepsut in her rightful female place: being dominated by a man.
Fig. 7.4 Senenmut worshipping at Djeser-Djeseru
Nevertheless, the suggestion that Senenmut and Hatchepsut were more than just good friends is worthy of serious consideration. An intimate relationship with the queen would account for the rapid rise in Senenmut's fortunes and would explain why Senenmut chose to defy tradition and remain unmarried. It is certainly tempting to see Senenmut's unprecedented privileges, such as burial within the confines of Djeser-Djeseru and the linking of their two names within Tomb 353, as Hatchepsut's tacit acknowledgement of Senenmut's role as her morganatic partner, if not her consort. Queens, however great, are not immune from normal human feelings, and at times Hatchepsut may have found her position to be an intolerably lonely one. A trusted companion may have helped to ease the burden of state.
In theory, Hatchepsut and Senenmut, both unattached individuals, would have been free to enjoy an open sexual relationship without public censure. Dynastic Egypt was not an unduly prudish society and Hatchepsut, as king, would have been at liberty to choose her own partners just as other New Kingdom monarchs were free to fill their harems with the women of their choice. And yet Hatchepsut, firstly as a woman and secondly as a king with a rather tenuous claim to the throne, was in a very difficult position. Throughout her reign she en-deavoured to emphasize her unique royal position as the daughter, wife and sister of a king. The enormous gulf which separated the divine pharaoh from the people is hard for us to understand but would have been very real to Hatchepsut. Marriage or a permanent alliance with a commoner would have compromised and damaged her position, making the aura of divinity with which she chose to cloak herself appear more transparent to those around her.
Senenmut is generally credited with being the political force behind Hatchepsut's assumption and exercise of kingship. While this assessment cannot be proved, it is probably correct. 18
If Hatchepsut and Senenmut were not lovers, did they enjoy anything other than a purely professional relationship? Did Senenmut control Hatchepsut by the power of his personality? And if so, was he directly responsible for Hatchepsut's unprecedented decision to seize power? As Gardiner has noted: ‘It is not to be imagined… that even a woman of the most virile character could have attained such a pinnacle of power without masculine support.’ 19 Senenmut was one of Hatchepsut's most loyal servants at this time, and it is clear that he must have approved of her claim to the throne since he continued to work for the new regime. The suggestion that he masterminded the accession is far less feasible; it is an idea based less on the available archaeo-historical evidence (nil) than on the twin assumptions that Senenmut was a manipulative person and that Hatchepsut, possibly due to her femininity, was incapable of controlling her own destiny. It is certainly difficult to equate the strong and mature Hatchepsut of the Deir el-Bahri temple with the timid and passive Trilby or the childish Lady Jane Grey, and it seems impossible that any intelligent woman could have been persuaded to take such a momentous step against her will. Winlock, believing Senenmut and Hatchepsut to have been kindred souls and acknowledging that Hatchepsut's gender did not necessarily preclude intelligence, has summarized the situation:
… the only question is whether it was through infatuation for her [Hatchepsut] that Sen-Mut followed her in a course of her own designing, or whether through ambition for himself he was encouraging her to break with the customs of her people. 20
It is clear
Lisa Hughey
Lynn Ray Lewis
Jamie K. Schmidt
Julia Bell
Donna Foote
Tove Jansson
Craig A. McDonough
Sandra Jane Goddard
Henry James
Vella Day