ruin. While the flat expanse of the carriageways was used for rudimentary agriculture, the steeply raked embankments were left for aurochs, moufflon and other newly primitive grazers.
The motorway tribe was divided up into clans or extended families, each of which had made its encampment at a particular junction and taken a different item of the prehistoric road furniture for its totem. My clan – Junction 2, that is – had somehow managed to preserve a set of cat’s eyes from the oblivion of time. These were being worn by the chieftain, bound into his complicated head-dress, when he came to see how I was getting on with decomposing.
‘You must understand,’ he said, observing the Star Trek convention, whereby even the most outlandish peoples still speak standard English, ‘that we view the M40 as a giant astronomical clock. We use the slip roads, maintenance areas, bridges and flyovers azimuthally, to predict the solstices and hence the seasons. Ours is a religion both of great antiquity and of a complexity that belies our simple agrarian culture. Although we are no longer able to read or write ourselves, our priesthood has orally transmitted down the generations the sacred revelations contained in this ancient text. ‘ With this he produced from a fold in his cloak a copy of ‘No Services: Reflex Ritualism and Modern Motorway Signs (with special reference to the M40)’, my as yet unwritten thesis.
Needless to say, this uncharacteristically upbeat ending to my narcotic vision left me feeling more melioristic than usual when I awoke this morning. Staggering to the kitchen I snapped on the radio. A disc jockey ululated an intro while I put on the kettle. The sun was rising over the model village. From where I sat I could see its rays reflected by a thousand tiny diamond-patterned windows. I sipped my tea; it tasted flat, as listless as myself. Looking into the cup I could see that the brown fluid was supporting an archipelago of scale. Dirty grey-brown stuff, tattered and variegated. I went back to the kitchen and peered into the kettle. Not only was the interior almost completely choked by scale, but the de-scaler itself was furred over, transformed into a chrysalis by mineral deposits. I resolved that today I would visit the ironmonger’s and purchase a new de-scaler.
It’s on my route – the ironmonger’s – for I’ve burnt down every chemist in Beaconsfield in the last few months, and now I must head further afield for my kaolin and morphine supplies. I must voyage to Tring, to Amersham and even up the M40, to High Wycombe.
Relative
‘Can I pay for these?’
‘Whassat?’
‘Can I pay for these – these de-scalers?’ Time is standing still in the ironmonger’s. Outside, a red-and-white-striped awning protects an array of brightly-coloured washing-up bowls from the drizzle. Inside, the darkness is scented with nails and resinous timber. I had no idea that the transaction would prove so gruelling. The proprietor of the ironmonger’s is looking at me the same way that the pharmacist does when I go to buy my kaolin and morphine.
‘Why d’you want three?’ Is it my imagination, or does his voice really have an edge of suspicion? What does he suspect me of? Some foul and unnatural practice carried out with kettle de-scalers? It hardly seems likely.
‘I’ve got an incredible amount of scale in my kettle, that’s why.’ I muster an insouciance I simply don’t feel. Since I have been accused, I know that I am guilty. I know that I lure young children away from the precincts of the model village and subject them to appalling, brutal, intercrural sex. I abrade their armpits, their kneepits, the junctures of their thighs, with my spun mini-rolls of wire. That’s why I need three.
Guilt dogs me as I struggle to ascend the high street, stepping on the heels of my shoes, almost tripping me up. Guilt about my children – that’s the explanation for the scene in the ironmonger’s. Ever since my
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