Graceland by Chris Abani

including mine. Right?”
    Elvis smiled in relief. Okon smiled too.
    “You can come too, now dat you don’t have job,” he urged.
    “No, I don’t think that’s for me.”
    “But if you change your mind, let me know and I’ll connect you.”
    Elvis finished the rest of his meal in silence and, getting up to leave, thanked Okon. As he began to walk home, he heard Okon call out: “Don’t forget. Okon, dat’s me.”
     
     
    Back in his room, Elvis sat in the rust-crisp metal chair facing his desk. Flakes of rust, like red dandruff, fell to the floor. With a sigh he unlocked the metal box he had just placed on the desk. It used to be his school box, holding his books all through primary school. He ran his fingers along the top and down to the handle, remembering the groove it had cut in his hand. It was still there, a hard calloused line.
    Opening the box, he adjusted the mirror he had taped to the inside cover. Then, methodically, with the air of ritual, he laid out the contents: a small plastic compact of hard, pressed face powder, a few tubes of lipstick in different colors, a plastic case with eye shadow in several shades of blue, a small bottle of mascara with a brush hardening in it, an eye pencil and a tin of Saturday Night talc. He held up the tin of talc, admiring the image printed on it—a white couple in evening dress dancing under a sky full of stars. That was the life, he thought. Also laid out next to the box and its contents were a wig and a pair of sunglasses with wide frames studded with rhinestones.
    The old battery-powered record player scratched through “Heartbreak Hotel,” a stack of coins keeping the stylus from jumping through the worn grooves. Elvis nodded along, singing under his breath as he mixed the pressed powder with the talc. The lumpy powder crumbled in cakes of beige, reminding him of the henna cakes Oye ground to make the dye she used to paint designs all over her body. Satisfied with the mix, he began to apply it to his face with soft, almost sensual strokes of the sponge. As he concentrated on getting an even tone, his earlier worries slipped away. Finishing, he ran his fingertips along his cheek. Smooth, like the silk of Aunt Felicia’s stockings.
    With the tip of his index finger, he applied a hint of blue to his eyes, barely noticeable, but enough to lift them off the white of his face. Admiring himself from many angles, he thought it was a shame he couldn’t wear makeup in public. That’s not true, he mentally corrected himself. He could, like the transvestites that haunted the car parks of hotels favored by rich locals and visiting whites. But like them, he would be a target of some insult, or worse, physical beatings, many of which were meted out by the police, who then took turns with their victims in the back of their vans. It was exasperating that he couldn’t appear in public looking as much like the real Elvis Presley as possible.
    Drawing quickly and expertly with the black eye pencil, he outlined his eyes, the tip of the pencil dancing dangerously close to his cornea. Pulling the mascara brush free, he knocked the dried goop off before dragging it through his already dense lashes. Again he examined his hard work intently before selecting a deep red lipstick. Not satisfied with its shine, he rubbed some petroleum jelly over his lips and then smacked them. Much better, he thought.
    He got up to change the record, which was dragging its stylus reluctantly and noisily across the label. He put it into its sleeve carefully and checked the sharpness of the needle by running a fingertip across it. This also cleaned the dust on the needle’s point. Selecting “Jailhouse Rock,” he blew imaginary dust off the record. He was careful as he put it on, knowing from experience that the thick, heavy vinyl would shatter like a china plate if he dropped it.
    He walked back to the table and pulled the wig on, bending to look in the mirror. Elvis has entered the building, he