Gormenghast
was.
           It was then that a child appeared. Whether a boy or a girl or an elf there was not time to tell. But the delicate proportions were a child's and the vitality was a child's alone. For one short moment it had stood on a turret at the far end of the terrace and then it was gone, leaving only the impression of something overcharged with life - of something slight as a hazel switch. It had hopped (for the movement was more a hop than a leap or a step) from the turret into the darkness beyond and was gone almost as soon as it had appeared, but at the same moment that the phantom child appeared, a zephyr had broken through the wall of moribund air and run like a gay and tameless thing over the gaunt, harsh spine of Gormenghast's body. It played with sere flags, dodged through arches, spiralled with impish whistles up hollow towers and chimneys, until, diving down a saw-toothed fissure in a pentagonal roof, it found itself surrounded by stern portraits - a hundred sepia faces cracked with spiders' webs; found itself being drawn towards a grid in the stone floor and, giving way to itself, to the law of gravity and to the blue thrill of a down-draught, it sang its way past seven storeys and was, all at once, in a hall of dove-grey light and was clasping Titus in a noose of air.
     
     
     

THIRTEEN
     
    The old, old man in whose metaphysical net the three disciples, Spiregrain, Throd and Splint were so irrevocably tangled, leaned forward in space as though weighing on the phantom handle of an invisible stick. It was a wonder he did not fall on his face.
           'Always draughty in this reach of the corridor,' he said, his white hair hanging forward over his shoulders. He struck his thighs with his hands before replacing them at a point in space where a stick would have been. 'Breaks a man up - wrecks him - makes a shadow of him - throws him to the wolves and screws his coffin down.'
           Reaching down with his long arms he drew his thick socks over the ends of his trousers and then stamped his feet, straightened his back, doubled it forward again, and then threw a look of antagonism along the corridor.
           'A dirty, draughty reach. No reason for it. Scuppers a man,' he said. 'And yet' - he shook his white locks- 'it isn't true, you know. I don't believe in draughts. I don't believe I'm cold. I don't believe in anything! ha, ha, ha, ha, ha! I can't agree with you, for instance.'
           His companion, a younger man, with long, hollow cheeks, cocked his head as though it were the breech of a gun. Then he raised his eyebrow as much as to say, 'Carry on...: but the old man remained silent. Then the young man raised his voice as though he were raising the dead, for it was a singularly flat and colourless affair...
           'How do you mean, sir, that you can't agree?'
           'I just can't,' said the old man, bending forward, his hands gripped before him, 'that's all.'
           The young man righted his head and dropped his eyebrow.
           'But I haven't 'said' anything yet: we've only just met, you know.'
           'You may be right,' replied the old man, stroking his beard. 'You may very well be right; I can't say.'
           'But I tell you I haven't 'spoken'!' The colourless voice was raised, and the young man's eyes made a tremendous effort to flash; but either the tinder was wet or the updraught insufficient, for they remained peculiarly sparkless.
           'I haven't 'spoken',' he repeated.
           'Oh, that!' said the old man. 'I don't need to depend on that.' He gave a low, horribly knowledgeable laugh. 'I can't agree, that's all. With your face, for instance. It's wrong -like everything else. Life is so simple when you see it that way - ha, ha, ha, ha!' The low, intestinal enjoyment which he got out of his attitude to life was frightful to the young man, who, ignoring his own nature, his melancholy, ineffectual face, his white voice, his

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