standing.
âIâm afraid youâll have to go now, sir,â he said.
âAre you the manager?â Woodend asked.
âNo, but thatâs got nothing to do withââ
Woodend produced his warrant card. âCentral Lancashire CID,â he said. âIâd like to see the manager.â
âThe show was within the bounds of whatâs permitted by law,â the barker protested. âWell within the bounds.â
âMaybe it was,â Woodend agreed. âBut Iâd still like to see the manager.â
For a moment it looked as if the barker were about to argue further, then he shrugged his shoulders and said, âYouâd better follow me.â
He led Woodend to a door at the edge of the stage, knocked and then turned the handle without waiting for a reply.
âThereâs a bobby here to see you, Mr Gutteridge,â he said.
Over his shoulder, Woodend got a clear view of the office and the man the barker had been addressing. Gutteridge was in his early fifties, and had a mane of grey hair swept dramatically back, almost touching his shoulders. His office â in contrast to his own distinguished appearance â was little more than a cubbyhole. Most of the space was taken up by an old metal desk and two chairs. The rest was occupied by props from the various tableaux which, under the harsh light of a single naked bulb, looked even tattier than they had on stage.
âA bobby?â the manager repeated. âA guardian of the law? But I was under the impression that all our little difficulties in that direction had been satisfactorily resolved.â
âHeâs not from the
local
force,â the barker said hastily. âHeâs come from Central Lancs Headquarters.â
The manager ran the fingers of his left hand through his mane. âI see,â he said thoughtfully. âAnd he would be â?â
âI would be Chief Inspector Woodend,â Woodend said, answering for himself. âWould you mind if I asked you a few questions, Mr Gutteridge?â
âNot at all, my dear man,â the manager assured him. He turned his attention to the barker. âYour public awaits you, Clive. Fly to them! Tread the boards like a colossus. Do all that is in your power to make them part with their five bobs.â
The barker shook his head as if heâd just been addressed in a foreign language â but had somehow managed to understand anyway â and departed. Woodend stepped into the office, closed the door behind him and manoeuvred his way around the props to the vacant chair.
âSo how can I be of assistance you, Chief Inspector?â the manager asked.
âWhen your lad Clive told you I was from the police, you said you thought that â what were your exact words? â that the
matter
had been âsatisfactorily resolvedâ. What exactly did you mean by that?â
âThat the difficulties we strolling players all so often have to face had been dealt with.â
âWould you care to be specific?â
Gutteridge laughed. âI have toured the length and breadth of this great country of ours with my troop,â he said. âI have given my audiences
Hamlet
and
Antigone
,
Doctor Faustus
and
Lady Windermere
. My company has brought tears to eyes of the many, but there are always the few â the groundling element â who have attempted to cause disruption. And if that is true of presentations of the classics, think how much more common it must be in a show which has less merit than the crudest Elizabethan burlesque.â
âYouâre sayinâ youâve had a bit of trouble with your punters,â Woodend translated.
âPrecisely!â Gutteridge agreed enthusiastically. âThey come not to hear the immortal words of the Bard, but to gaze at naked flesh. Many of them arrive already fired up with alcoholic beverages ââ
âDrunk,â Woodend supplied.
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