down the stone stairwell.
18
Revolutionary Airstrip, Jordanââ0900h
When I wake again, Iâm slumped sideways in my seat with the pattern of the material printed on my cheek. My neck and shoulders have seized up. When I move, I feel like I might crack in half. Itâs warmer now, thank God, and everyone seems to be awake.
What must I look like? I try running my fingers through my hair, but itâs far worse now, really thick with tangles. How stupid to forget to bring a brush. Itâs always so matted in the mornings. When I was little Marni would spend ages trying to brush the knots out and, to distract me from the tugging, would say that the fairies had been dancing in it again in the night. And Iâd feel proud to have been chosen by them.
âNice hairdo.â Davidâs grinning face appears over the top of the seat behind me.
âThanks.â
âI thought beehives had gone out.â
âEr . . .â I nod at his hair.
âItâs the new look,â he says. âWild Hostage. Tim hasnât quite gotten the hang of it yet, have you, Tim?â Tim pops his head up. âHeâs still sporting the Prep School: a practical cut that stays put in extreme situations.â Timâs expression is so impish, heâd look perfect sitting on a toadstool.
David nods at my window. âYou seen out there yet?â
âNo . . .â I shift over and look. âBlimey!â
Fifty yards from the plane are hundreds of reporters sitting on the sand, surrounded by all their stuff: camera bags, lenses, tape recorders, microphones, folding ladders, TV booms . . .
âYes, the worldâs press has arrived!â David says ceremoniously.
âWhat do you think theyâll do?â I ask.
âTake pictures?â he suggests.
Timâs eyes light up. âSo weâll be allowed off?â
âI doubt it,â David says. âAfter all, we might make a run for it.â
Thereâs a brief moment while we all consider the possibility, then discard it.
âHow did you sleep?â David asks.
âDreadfully.â I yawn. âTried under the seats too.â
âI might try that tonight,â he says. âIs there room for two down there?â
I roll my eyes. âThereâs hardly room for one.â
âHey! Look,â Tim says. âSomethingâs happening.â
We crowd around the windows. A tall man wearing traditional dressââa long, crisp white cotton
thawb
and a black and white keffiyehââwalks out from under the plane holding a loudspeaker. He stops directly in front of the crowd of reporters and raises his hand, waiting for silence. Then he starts addressing the reporters, who either listen intently, film him, or take notes.
âWish we could hear what heâs saying,â David says, exasperated.
âI know, itâs really annoying. It sounds blurry, like weâre in a fishbowl.â
âGod,â he says, âweâre always the last to know everything.â
After a few minutes, the man leaves, and the reporters stand and brush themselves down. They start collecting their things, shifting into groups. Some stay talking to each other; others file toward our plane and form a line by the ladder.
At the front, the captain gets to his feet and addresses us. âGood morning, everyone,â he says. âI hope your night wasnât too uncomfortable. As you can see, weâve got visitors. Iâve been asked to tell you all to stay seated while they come aboard to interview some of us and take film footage for TV. Please be as helpful as you can. We need the rest of the world to know whatâs happening here. This may very well help to secure our freedom.â
Behind him, the Giant puts down his gun and goes to help the first reporter up into the plane. Heâs a large, plump man with a shock of white hair, wearing a crumpled khaki safari
Translated by George Fyler Townsend